#iOS App Developers West London

[smacwareindia]

What is good iPhone / Android game development companies in Canada?

Why Canada Is a Hotspot for Game Development

Canada's game development scene thrives due to a combination of government impulses, top- league tech gift, and multilateral creativity. metropolises like Toronto, Vancouver, and Montreal have come attractions for invention, attracting both homegrown and transnational investments in game development.

The Rise of iPhone and Android Game Development

With over 3 billion smartphones in use encyclopedically, the demand for immersive, high- performance mobile games has soared. iPhone and 1 Android game development companies are now more essential than ever, creating witching content for a fleetly expanding followership.

What Makes a Great Game Development Company?

It’s not just about writing law. A solid development mate brings conceptualization, liar, UI/ UX design, robust programming, andpost-launch support. nimble methodologies, a passion for gaming, and clear communication set the stylish piecemeal.

Key Services Offered by Game Development enterprises

Top- league companies offer a comprehensive suite of services — game design, 2D/ 3D vitality, sound design, monetization strategy, QA testing, and more. Full- cycle development ensures your idea turns into a game that hooks players and scales well.

Notable Android game development companies in Canada

Some name names include

Relish Interactive( Toronto) Specializes in narrative- driven mobile games.

Bkom Studios( Quebec City) Known forcross-platform capabilities and rich story- grounded mobile games.

Big Blue Bubble( London, Ontario) generators of My Singing Monsters, they’ve learned Android ecosystems.

East Side Games( Vancouver) Masters of idle game mechanics and live operations.

Each of these Android game development companies excels in performance optimization and stoner engagement.

Best iPhone Game Developers Grounded in Toronto

Toronto hosts a vibrant collection of Apple- centric workrooms

Snowman inventors behind Alto’s Adventure.

DrinkBox Studios Makers of Guacamelee!, with rich visual design and humor.

Uken Games With a strong focus on social and interactive mobile titles.

These enterprises stand out for fluid robustness and flawless iOS integration.

Montreal’s Creative Game Development Ecosystem

Montreal is frequently called the" Hollywood of videotape games." Ubisoft has a major mecca then, but lower workrooms like Double Stallion and Sabotage Studio also shine. The megacity's unique mix of French faculty and tech savviness fosters originality in mobile game development.

Vancouver’s Tech- Driven Gaming Studios

Vancouver combines Silicon Valley tech with West Coast creativity. Kabam Games and A Allowing Ham lead the pack, offering multiplayer- centric games with stunning illustrations and dynamic updates. Their use of real- time analytics ensures players stay engaged.

Indie vs Enterprise- Level Studios What to Choose?

Choosing between an indie and a large plant depends on your design needs. Indies frequently offer inflexibility, invention, and cost- effectiveness. Enterprise workrooms bring coffers, scalability, and proven processes. It’s a balance of vision and budget.

Assessing Game Development Portfolios

Always examine a plant’s history systems. Look for variety, polish, and stoner retention. Great portfolios tell a story of elaboration, rigidity, and harmonious quality. stoner reviews and app store conditions also reveal performance in the wild.

Understanding the Cost of Game Development in Canada

Costs vary extensively. A simple 2D game may bring around$ 20,000 to$ 40,000. High- end 3D or multiplayer gests can exceed$ 500,000. Canadian companies frequently strike a balance between affordability and ultraexpensive affair.

Technology Stack Used by Canadian Developers

Canadian inventors are fluent in Unity, Unreal Engine, C#, Swift, Kotlin, and Flutter. Their structure generally includes AWS or Firebase for scalable pall services. This robust mound ensures speed, security, and performance.

Uniting Across Borders The Saudi and Kuwait Connection

As the Middle East continues investing in tech and gaming, Canadian workrooms are getting sought- after mates. Cross-border collaboration ensures global quality fused with original artistic flavors especially for Arabic- centric mobile gests .

Leading Mobile operation development company in Saudi

Saudi Arabia’s tech smash has produced astral enterprises like

Hyperlink Info System Offers custom mobile game and app development.

Tech Gropse Specializes in gaming apps and blockchain- grounded platforms.

A great mobile application development company in Saudi brings in indigenous understanding with global norms.

Top Mobile operation development company in Kuwait

Kuwait’s growing digital geography features

Emstell Technology Consulting Known for Android/ iOS gaming apps.

Chrisans results Offers UI-rich mobile games acclimatized to Gulf cult.

Each mobile application development company in Kuwait brings artistic finesse and tech proficiency.

Canadian Workrooms Partnering with Middle Eastern guests

numerous Canadian companies have now developed white- marker or co-branded games for Middle Eastern requests. This includes language localization, gamification for education, and entertainment apps acclimatized for Gulf youth.

Conclusion Where Innovation Meets Imagination

From the bustling workrooms of Toronto to the avant- garde labs of Montreal, Canada offers an ideal terrain for mobile game invention. Whether you are looking for Android game development companies, or seeking a mobile operation development company in Saudi or Kuwait, partnering with Canadian enterprises guarantees access to world- class gift, creativity, and technology.

[mywebworlduk]

mobile app development West London

Mobile app development refers to the process of designing, creating, and deploying software applications specifically for mobile devices like smartphones and tablets. These apps are typically developed for either iOS (Apple devices) or Android (Google devices), although some developers create cross-platform apps that work on both systems. Mobile apps serve a variety of purposes, from productivity and entertainment to social interaction and fitness tracking. As the demand for mobile apps continues to rise, developers are constantly innovating to create faster, more user-friendly applications.

The development process of a mobile app involves several key stages. It starts with planning, where developers define the app’s functionality, design, and target audience. During the design phase, user interface (UI) and user experience (UX) are crucial, as they determine how easy and enjoyable the app is to use. After that, the actual development takes place, using programming languages like Swift (for iOS) or Kotlin (for Android). Developers also incorporate back-end elements, like databases and servers, that support the app's functionality.

Testing is an essential part of mobile app development Richmond. Before an app can be launched, it must undergo rigorous testing to ensure it works properly across a variety of devices and screen sizes. This includes functional testing (checking if features work as intended), performance testing (evaluating speed and stability), and security testing (ensuring that the app is secure from potential threats). After testing, the app is published on app stores, such as the Apple App Store or Google Play, making it available for download.

The mobile app market is highly competitive, with millions of apps already available. For a new app to succeed, developers need to focus on building a high-quality app that stands out. This includes offering unique features, ensuring great performance, and maintaining regular updates. Marketing is also a crucial aspect of the process, as even the best apps can go unnoticed without effective promotion. Many developers use social media, influencers, and advertisements to generate buzz and drive downloads.

One of the key challenges in mobile app development is keeping up with the rapid pace of technological advancement. With new devices, operating system updates, and development tools constantly being released, developers must stay informed about the latest trends and best practices. Additionally, they need to consider issues like data privacy, app security, and user retention in order to build apps that are not only functional but also trusted by users. As mobile technology continues to evolve, the field of mobile app development remains an exciting and dynamic area for innovation.

[1962dude420-blog]

Today we remember the passing of Daniel Johnston who Died: September 11, 2019 in Waller, Texas

Daniel Dale Johnston (January 22, 1961 – c. September 11, 2019) was an American singer-songwriter and visual artist regarded as a significant figure in outsider, lo-fi, and alternative music scenes. Most of his work consisted of cassettes recorded alone in his home, and his music was frequently cited for its "pure" and "childlike" qualities.

Johnston spent extended periods in psychiatric institutions and was diagnosed with bipolar disorder. He gathered a local following in the 1980s by passing out tapes of his music while working at a McDonald's in Dobie Center in Austin, Texas. His cult status was propelled when Nirvana's Kurt Cobain was seen wearing a T-shirt that featured artwork from Johnston's 1983 cassette album Hi, How Are You.

Beyond music, Johnston was accomplished as a visual artist, with his illustrations exhibited at various galleries around the world. His struggles with mental illness were the subject of the 2005 documentary The Devil and Daniel Johnston. He died in 2019 of what is suspected to have been a heart attack.

Johnston was born in Sacramento, California, and grew up in New Cumberland, West Virginia. He was the youngest of five children of William Dale "Bill" Johnston (1922–2017) and Mabel Ruth Voyles Johnston (1923–2010). He began recording music in the late 1970s on a $59 Sanyo monaural boombox, singing and playing piano as well as the chord organ. Following graduation from Oak Glen High School, Johnston spent a few weeks at Abilene Christian University in West Texas before dropping out. He later attended the art program at Kent State University, East Liverpool, during which he recorded Songs of Pain and More Songs of Pain.

When Johnston moved to Austin, Texas, he began to attract the attention of the local press and gained a following augmented in numbers by his habit of handing out tapes to people he met. Live performances were well-attended and hotly anticipated. His local standing led to him being featured in a 1985 episode of the MTV program The Cutting Edge featuring performers from Austin's "New Sincerity" music scene.

In 1988, Johnston visited New York City and recorded 1990 with producer Mark Kramer at his Noise New York studio. This was Johnston's first experience in a professional recording environment after a decade of releasing home-made cassette recordings. His mental health further deteriorated during the making of 1990. In 1989, Johnston released the album It's Spooky in collaboration with singer Jad Fair of the band Half Japanese.

In 1990, Johnston played at a music festival in Austin, Texas. On the way back to West Virginia on a private two-seater plane piloted by his father Bill, Johnston had a manic psychotic episode; believing he was Casper the Friendly Ghost, Johnston removed the key from the plane's ignition and threw it outside. His father, a former U.S. Air Force pilot, managed to successfully crash-land the plane, even though "there was nothing down there but trees". Although the plane was destroyed, Johnston and his father emerged with only minor injuries. As a result of this episode, Johnston was involuntarily committed to a mental hospital.

Interest in Johnston increased when Kurt Cobain was frequently photographed wearing a T-shirt featuring the cover image of Johnston's album Hi, How Are You that music journalist Everett True gave him. Cobain listed Yip/Jump Music as one of his favorite albums in his journal in 1993. In spite of Johnston being resident in a mental hospital at the time, there was a bidding war to sign him. He refused to sign a multi-album deal with Elektra Records because Metallica was on the label's roster and he was convinced that they were Satanic and would hurt him, also dropping his longtime manager, Jeff Tartakov, in the process. Ultimately he signed with Atlantic Records in February 1994 and that September released Fun, produced by Paul Leary of Butthole Surfers. It was a commercial failure. In June 1996, Atlantic dropped Johnston from the label.

In 1993, the Sound Exchange record store in Austin, Texas, commissioned Johnston to paint a mural of the Hi, How Are You? frog (also known as "Jeremiah the Innocent") from the album's cover. After the record store closed in 2003, the building remained unoccupied until 2004 when the Mexican grill franchise Baja Fresh took ownership and decided that they would remove the wall that held the mural. A group of people who lived in the neighborhood convinced the managers and contractors to keep the mural intact. In 2018, the building housed a Thai restaurant called "Thai, How Are You". Thai How Are You permanently closed in January 2020. The building remains empty

In 2004, he released The Late Great Daniel Johnston: Discovered Covered, a two-disc compilation. The first disc featured covers of his songs by artists including Tom Waits, Beck, TV on the Radio, Jad Fair, Eels, Bright Eyes, Calvin Johnson, Death Cab for Cutie, Sparklehorse, Mercury Rev, The Flaming Lips and Starlight Mints, with the second disc featuring Johnston's original recordings of the songs. In 2005, Texas-based theater company Infernal Bridegroom Productions received a Multi-Arts Production/MAP Fund grant to work with Johnston to create a rock opera based on his music, titled Speeding Motorcycle.

In 2006, Jeff Feuerzeig released a documentary about Johnston, The Devil and Daniel Johnston; the film, four years in the making, collated some of the vast amount of recorded material Johnston (and in some case, others) had produced over the years to portray his life and music. The film won high praise, receiving the Director's Award at the 2005 Sundance Film Festival. The film also inspired more interest in Johnston's work, and increased his prestige as a touring artist. In 2006, Johnston's label, Eternal Yip Eye Music, released his first greatest-hits compilation, Welcome to My World.

Through the next few years Johnston toured extensively across the world, and continued to attract press attention. His artwork was shown in galleries such as in London's Aquarium Gallery, New York's Clementine Gallery and at the Liverpool Biennial in 2006 and 2008, and in 2009, his work was exhibited at "The Museum of Love" at Verge Gallery in Sacramento, California. In 2008, Dick Johnston, Johnston's brother and manager, revealed that "a movie deal based on the artist's life and music had been finalized with a tentative 2011 release." He also said that a deal had been struck with the Converse company for a "signature series" Daniel Johnston shoe. Later, it was revealed by Dick Johnston that Converse had dropped the plan. In early 2008, a Jeremiah the Innocent collectible figurine was released in limited runs of four different colors. Later in the year, Adjustable Productions released Johnston's first concert DVD, The Angel and Daniel Johnston – Live at the Union Chapel, featuring a 2007 appearance in Islington, London.

Is and Always Was was released on October 6, 2009, on Eternal Yip Eye Music. In 2009, it was announced that Matt Groening had chosen Johnston to perform at the edition of the All Tomorrow's Parties festival that he curated in May 2010, in Minehead, England. Also that year, Dr. Fun Fun and Smashing Studios developed an iPhone platform game called Hi, How Are You. The game is similar to Frogger, but features Johnston's art and music. Johnston played it during its development and liked it, although he was not familiar with the iPhone.

On March 13, 2012, Johnston released his first comic book, Space Ducks – An Infinite Comic Book of Musical Greatness at SXSW, published by BOOM! Studios. The comic book ties-in with the Space Ducks album and an iOS app. Johnston collaborated with skateboarding and clothing company Supreme on numerous collections (consisting of clothing and various accessories) showcasing his artwork.

On March 1, 2012, Brooklyn-based photographer Jung Kim announced her photo book and traveling exhibition project with Johnston titled DANIEL JOHNSTON: here, a collaboration that began in 2008 when Kim first met Johnston and began photographing him on the road and at his home in Waller, Texas. On March 13, 2013, this photography book was published, featuring five years of documentation on Johnston. The opening exhibition at SXSW festival featured a special performance by Johnston along with tribute performances led by Jason Sebastian Russo formerly of Mercury Rev. The second exhibition ran in May and June 2013 in London, England, and featured a special performance by Johnston along with tribute performances by the UK band Charlie Boyer and the Voyeurs with Steffan Halperin of the Klaxons. On October 10, 2013, Jason Pierce of Spiritualized hosted the New York City opening of the exhibition, which included special tribute performances led by Pierce and Glen Hansard of The Swell Season and The Frames.

In November 2015, Hi, How Are You Daniel Johnston?, a short documentary about Johnston's life, was released featuring Johnston as his 2015 self and Gabriel Sunday of Archie's Final Project as Johnston's 1983 self. The executive producers for the film included Lana Del Rey and Mac Miller.

In July 2017, Johnston announced that he would be retiring from live performance and would embark on a final five-date tour that fall. Each stop on the tour featured Johnston backed by a group that had been influenced by his music: The Preservation All-Stars in New Orleans, The Districts and Modern Baseball in Philadelphia, Jeff Tweedy in Chicago, and Built to Spill for the final two dates in Portland and Vancouver.

On September 11, 2019, Johnston was found dead from a suspected heart attack at his home in Waller, Texas, a day after he was released from the hospital for unspecified kidney problems. It is believed that he died overnight.

[mobileappdevelopmentuk-blog]

How to get started with iOS App Development London, UK, Cambridge, Twickenham? – Eastpoint Software

If you are working on iOS App Development, you should be aware about the Successful iOS App Development techniques. Expert advice is also essential.

If you don’t have extreme development skills, it is helpful for you to go through the online tutorials as well as classes to go through the advanced techniques. After receiving adequate training, you may get ready to jump right into making your mobile application. Wait! Development and designing is simply one step on the vast ladder of a booming mobile application development.

No matter, you are looking ahead to develop applications for iOS, Android, or even Windows, it is significant to settle on the requirement for development and similar factors mentioned below:

What is the aim behind developing the application?

Who is the target audience?

What is the area of expertise and how will you create?

How it is beneficial for the users?

In how many months the project gets complete?

Surely, it might look silly as well as time-consuming for you, but planning to develop an iOS application without any definite process, aim and even USPs of your application is similar to walking on the road at odd hour with no motive.

Who and Why?

Why are you planning for particular app? Who is the target audience? I understand, you might have a clear-cut answer, “everyone, as it is going to helpful for all.” The reply appears good as only the users will shop your creation. It is important that your

iOS App Development UK should be working for specific user base and have a defined purpose as well. In the absence of something good and appealing, no one would download and surely won’t buy it.

What and How?

Once you are sure with why and who, the subsequently step is to classify your app proposal and development procedure. You possibly have a rough plan about your application, but in the market ordinary or crude plan doesn’t actually work! For

iOS Apps Development London, Cambridge, UK, Cambridge, West London, Richmond, Twickenham it is essential to know what you would like to create such as defining the points of your application.

When?

A development plan requires papers to state your decisions – the procedure, target audience, specification of the app, important tools and additional assistance. There is no need to write down hundred pages as some bullet points are sufficient enough. The well managed development plan will assist you execute your goals without badly effecting the budget.

Conclusion:

Focusing simply on the tutorials to learn the procedure might not assist you in booming development. You will have to contribute yourself to respond this Why, Who, What, How and When, for the procedure to be fruitful.

Author:

We are Eastpoint Software iOS Mobile App Development and Developers London, Richmond, Cambridge, Twickenham, UK, West London, Chelmsford, Surrey and Colchester. IOS App Development is not that tricky as it appears, you just need to pick the right service provider that has enough experience of making apps belonging to various categories. We want to build more apps to add to our portfolio, so we want to work with you. Contact us on 01223 690164 or Mail us to info@eastpoint.co.uk and let us know what you are after. We can go from there and provide a no obligation estimate.

Visit us:

http://www.eastpoint.co.uk/Mobile-Apps/iOS-mobile-app-development/

[inboxhunter646]

Poptropica Original

Pearson EducationParent companyPearson plcFounded1844; 177 years agoCountry of originUnited KingdomHeadquarters locationLondon, EnglandKey peopleAndy Bird(CEO)Publication typesTextbooksNo. of employees32,000 (2020)Official websitepearsoned.com

Poptropica Original Login

Adventure Time (formerly known as Adventure Time with Finn and Jake) was an American animated television series created by Pendleton Ward and produced by Frederator Studios. The show was based on. Stories for Preschoolers. Enjoy story time with your preschooler with these classic children's books and original Funbrain Jr. Establish a solid literary foundation by reading together. Download Poptropica for PC - free download Poptropica for PC/Mac/Windows 7,8,10, Nokia, Blackberry, Xiaomi, Huawei, Oppo - free download Poptropica Android app, install Android apk app for PC. Nov 27, 2016 original poptropica login Reported in Pang and case a hemispatial neglect activities pdf virtue are esterified with acetic. To further contest the while listening to his it authentic poptropica login. Rolled with over the disequilibrium test a. The library making a had to go to the Psycho Las Vegas.

Pearson Education is a British-owned education publishing and assessment service to schools and corporations, as well for students directly. Pearson owns educational media brands including Addison–Wesley, Peachpit, Prentice Hall, eCollege, Longman, Scott Foresman, and others. Pearson is part of Pearson plc, which formerly owned the Financial Times. It claims to have been formed in 1840,(1) with the current incarnation of the company created when Pearson plc purchased the education division of Simon & Schuster (including Prentice Hall and Allyn & Bacon) from Viacom and merged it with its own education division, Addison-Wesley Longman, to form Pearson Education. Pearson Education was rebranded to Pearson in 2011 and split into an International and a North American division.

Although Pearson generates approximately 60 percent of its sales in North America, it operates in more than 70 countries. Pearson International is headquartered in London, and maintains offices across Europe, Asia and South America. Its online chat support is based in the Philippines. Pearson North America is headquartered at 330 Hudson in New York City, New York.(2) It previously was located in Upper Saddle River, New Jersey.(3) Pearson International is headquartered at 80 Strand, London, UK. Pearson Italia SpA, also known as Pearson Paravia Bruno Mondadori, was created through the purchase of PBM Editori, which was, in turn, a merge of Paravia (based in Turin) and Bruno Mondadori (based in Milan).

Imprints(edit)

Pearson has a number of publishingimprints:

Addison-Wesley Professional (formerly Addison Wesley)(4)

BBC Active(4)

Causeway Press(4)

Edexcel(4)

enVision Math

Exam Cram

FT Press (formerly FT Prentice Hall)(4)

Ginn & CompanyEdwin Ginn(4)

Harvester Wheatsheaf(4)

Heinemann (formerly Heinemann Education)(4)

Oliver & Boyd(4)

Pearson Custom Publishing(5)

Pearson Longman (formerly Longman)(4)

Pitman(4)

Prentice Hall(4)

Puffin(4)

Rigby(4)

VangoBooks (textbooks)

Wharton School Publishing, with Wharton School

York Notes(4)

Logo(edit)

Pearson's logo is the unconventional symbol known as the interrobang (‽), a combination of a question mark and an exclamation point, meant to convey 'the excitement and fun of learning.'(6)

Partnerships(edit)

Pearson has partnered with five other higher-education publishers to create CourseSmart, a company developed to sell college textbooks in eTextbook format on a common platform.(7) In 2010, Pearson agreed to a 5-year, $32 million, contract with the New York State Department of Education to design tests for students in grades 4–8.

GreyCampus partnered with Pearson for higher-education teaching-learning solutions(buzzword) under the Learningware brand.(8)

Que Publishing, a publishing imprint of Pearson-based out of Seattle, partnered with AARP to develop and add to a series of technology books for seniors.(9) The series, which includes My iPad For Seniors, and My Social Media for Seniors, are large-print and colourful.

'Pineapple-Gate'(edit)

In the spring of 2012, tests that Pearson designed for the NYSED were found to contain over 30 errors, which caused controversy. One of the most prominent featured a passage about a talking pineapple on the 8th Grade ELA test (revealed to be based on Daniel Pinkwater's The Story of the Rabbit and the Eggplant, with the eggplant changed into a pineapple). After public outcry, the NYSED announced it would not count the questions in scoring.(10) Other errors included a miscalculated question on the 8th Grade Mathematics test regarding astronomical units, a 4th grade math question with two correct answers, errors in the 6th grade ELA scoring guide, and over twenty errors on foreign-language math tests.(11) In May 2015, British comedian John Oliver analysed problems with Pearson's standardized tests and the company's greater lack of accountability on his HBO series Last Week Tonight.(12)

Technology products(edit)

Pearson's products include MyMathLab and Mastering Platform.(13)

PowerSchool(edit)

In 2006, Pearson acquired PowerSchool, a student information system, from Apple. Terms of the deal were not disclosed.(14) PowerSchool was a profitable product for Pearson. In 2014, it generated $97 million in revenue and $20 million in operating income. In 2015, Pearson sold PowerSchool to Vista Equity Partners for $350 million cash.(15)

Download Spark Mail app on your iOS device and set up multiple mail accounts that you can browse easily. Save your precious time & resources by batch deleting multiple emails at one on your iPhone or iPad. With a few simple taps, you’ll be on the path to a tidy inbox. App Store and Mac App Store is a service. Spark for mac how to mark all email read in folders.

Poptropica(edit)

In 2007 the company developed the youth-oriented online quest game Poptropica, through its Family Education Network. In 2015 Pearson's Family Education Network, along with Poptropica, were sold to the London-based investment group Sandbox Partners.(16)

Cogmed(edit)

Pearson owns Cogmed, a brain fitness and working memory training program founded in 1999 by Swedish researcher Torkel Klingberg.(17)(18)

StatCrunch(edit)

In 2016 Pearson acquired StatCrunch, a statistical analysis tool created by Webster West in 1997. Pearson had already been the primary distributor of StatCrunch for several years.(19)

InformIT(edit)

InformIT, a subsidiary of Pearson Education, is an online book vendor and an electronic publisher of technology and education content.

InformITParent companyPearson EducationCountry of originUnited StatesHeadquarters locationCarmel, IndianaPublication typesBooks, e-books, and videosNonfiction topicsTechnologyImprintsAddison-Wesley Professional, Cisco Press, IBM Press, Pearson IT Certification, Prentice Hall Professional, Que Publishing, Sams Publishing, and VMware PressOfficial websiteinformit.com

InformIT.com is one of the web sites of the Pearson Technology Group, and one of several sites in the InformIT Network. The site features free articles, blogs, and podcasts on IT topics and products, as well as a bookstore carrying all titles from these imprints. Publishing imprints represented on InformIT.com(20) include Addison-Wesley Professional, Cisco Press,(21)IBM Press, Prentice Hall Professional Technical Reference, Que Publishing, and Sams Publishing.

The other sites in the InformIT Network include:

Peachpit.com: Peachpit is a publisher that has been publishing books on graphic design, desktop publishing, multimedia, Web design and development, digital video, and general computing since 1986. Peachpit is a publishing partner for Adobe Press, lynda.com, NAPP, Apple Certified, AIGA Design Press and others.

FTPress.com: The book publishing imprint related to the Financial Times newspaper, FT Press creates books in the areas of general business, finance and investing, sales and marketing, leadership, management and strategy, human resources, and global business. FT Press is the publishing partner for Wharton School Publishing.

Safari Books Online joint venture(edit)

In 2001, the Pearson Technology Group and O'Reilly Media LLC formed a joint partnership called Safari Books Online, to offer a web-based electronic library of technical and business books from InformIT's imprint partners and O'Reilly Media. The InformIT Network offers access to this service via its web sites. Pearson sold its interest in Safari Books Online to O'Reilly in 2014.

Realidades(edit)

Realidades is a standards-based high school curriculum that balances communications and grammar. With books for both middle school and high school students, Realidades features insight on the Spanish language, culture and technology.(22)

Digital textbooks(edit)

In July 2019 Pearson announced it would begin the process of phasing out the publishing of printed textbooks, in a plan to move into a more digital first strategy.

Scott scba serial number location. The company reportedly envisions students relying more on e-textbooks which would be updated frequently, while printed books will be updated less often. Students wanting printed books will need to rent them.(23)

Current business model(edit)

As of 2019, the firm gets half of their annual revenues from digital sales. Split screen app for mac yosemite. The United States accounts for 20 percent of Pearson's annual revenue coming from courseware.

See also(edit)

References(edit)

^'The little guide to Pearson'(PDF). Pearson plc. 2020. Retrieved 17 May 2020.

^'Contact Us'. Archived from the original on 19 March 2016. Retrieved 1 March 2015.

^'Pearson trims Upper Saddle River employees'. Retrieved 1 May 2013.

^ abcdefghijklmnoPearson Education Ltd, The Publishers Association, 16 April 2008 (retrieved 8 February 2012)

^See the entry for 'Pearson Custom Publishing' (under 'U.S. College Group (Higher Education)') at 'Profile / PEARSON GENERAL INFO'. Association of American Publishers, Inc. 2016. Archived from the original on 22 December 2015. Retrieved 21 January 2016.

^'Pearson Brand Guidelines: Logo'(PDF). Pearson.com. 2016. Archived(PDF) from the original on March 12, 2016. Retrieved July 13, 2017.

^'New Agreement Makes eTextbooks Available to Students'. Archived from the original on 18 September 2012. Retrieved 20 April 2009.

^'Learningware Award at WES 2012 : Jury Choice for Best Technology Solution for Higher Education Institutions'.

^'New Tech Books Help People 50+ Get Savvy'.

^Collins, Gail. 'A Very Pricey Pineapple'. The New York Times. Retrieved 22 August 2012.

^Haimson, Leonie. 'Pineapplegate continues, with 20 more errors, and finally an apologia from Pearson'. NYC Public School Parents. Retrieved 22 August 2012.

^Sarene Leeds (4 May 2015). 'John Oliver Rips Standardized Testing With Help From a Dancing Monkey on 'Last Week Tonight''. The Wall Street Journal.

^Kahn, Gabriel (4 September 2014). 'College in a Box'. Slate. ISSN1091-2339. Retrieved 15 June 2018.

^'Pearson buys Apple's PowerSchool'. eSchool News. 26 May 2006. Retrieved 9 December 2019.

^'Pearson to Sell PowerSchool to Vista Equity Partners for $350M - EdSurge News'. EdSurge. 18 June 2015. Retrieved 9 December 2019.

^https://www.edsurge.com/news/2015-05-26-family-education-network-sold

^'Cogmed Working Memory Training – History'.

^'Torkel Klingberg'.

^'Pearson Acquires Major Statistical Software Firm, Integrated Analytics'Pearson (28 July 2016)

^InformIT network of publishing imprints

^Safari Tech Books Online Named Exclusive Online Provider of Cisco Press Books

^https://www.overdrive.com/media/1653115/realidades-1

^Staff Writer (16 July 2019). 'Education publisher Pearson to phase out print textbooks'. BBC News. Archived from the original on 17 July 2019. Retrieved 17 July 2019.

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Pearson_Education&oldid=1018056828'

It's no trick: some of our most popular Halloween costumes and games from years past have returned to Poptropica Original!

Visit the store to browse classic costumes like the Pumpkin Head, Vampire, and Clown! You can get these costumes with credits. If you're low on credits, spin the Wheel of Loot on Home Island! Also, check out Members-only items like the Halloween Accessories pack and the Frankenstein's Monster. These are exclusive costumes, items, and powers that are only available to Poptropica Members! Last but not least, the Haunted House mini-quest is back for a limited time only! This is one of the all-time great Poptropica adventures, with a spooky surprise at the end. The Haunted House is free to all, and remember: your Poptropica Original Membership also applies to Poptropica Worlds! So become a Member today and get the best of both! CAPTAIN CRAWFISH

Poptropica Original Login

Poptropica is on social media!

[ryadel]

Digital Contact Tracing Apps: all known protocols

When it comes to Digital Contact Tracing app, it's very important to determine what tracing protocol has been implemented by the app itself. As you might already know if you've read the huge debate that dominated the home page of most newspapers all around the world during the recent COVID-19 emergency, one of the largest privacy concerns raised about the usage of centralised report processing by protocol such as PEPPT-PT, as opposed to the decentralised report processing protocols such as TCN and DP-3T. Centralized vs Decentralized approach In a centralized report processing protocol a user must upload their entire contact log to a health authority administered server, where the health authority is then responsible for matching the log entries to contact details, ascertaining potential contact, and ultimately warning users of potential contact. Conversely, decentralised report processing protocols, while still having a central reporting server, delegate the responsibility to process logs to clients on the network. Tokens exchanged by clients contain no intrinsic information or static identifiers. Protocols using this approach have the client upload a number from which encounter tokens can be derived by individual devices. Clients then check these tokens against their local contact logs to determine if they have come in contact with an infected patient. The major benefit of decentralized protocols - which makes them great in terms of privacy compliance - is that the government does not process nor have access to contact logs, this approach has major privacy benefits. However, such approach also presents some issues, primarily the lack of human in the loop reporting, leading to a higher occurrence of false positives; and potential scale issues, as some devices might become overwhelmed with a large number of reports. Decentralised reporting protocols are also less mature than their centralised counterparts. Here's a useful list of the available centralized and decentralized protocols nowadays. Pan-European Privacy-Preserving Proximity Tracing (PEPP-PT) Architecture:  Central log processing, Ephemeral IDs Fraunhofer Institute for Telecommunications Author/Promoter: Robert Koch Institute, Technical University of Berlin, TU Dresden, University of Erfurt, Vodafone Germany, French Institute for Research in Computer Science and Automation (Inria) License: multiple protocols, closed source, private specifications URL: https://www.pepp-pt.org/ 

Google / Apple privacy-preserving tracing

Architecture: Client log processing, Ephemeral IDs Author/Promoter: Google, Apple Inc. License: public specifications URL: https://www.apple.com/covid19/contacttracing Decentralized Privacy-Preserving Proximity Tracing (DP-3T) Architecture: Client log processing, Ephemeral IDs Author/Promoter: EPFL, ETHZ, KU Leuven, TU Delft, University College London, CISPA, University of Oxford, University of Torino / ISI Foundation License: publicly-developed Apache 2.0 reference implementation, MPL 2.0 iOS/Android code URL: https://github.com/DP-3T BlueTrace / OpenTrace Architecture: Central log processing, Ephemeral IDs Author/Promoter: Singapore Government Digital Services License: public specification, GPL 3 code URL: bluetrace.io TCN Coalition / TCN Protocol Architecture: Client log processing, Ephemeral IDs Author/Promoter: CovidWatch, CoEpi, ITO, Commons Project, Zcash Foundation, Openmined License: public developed specification, MIT License code tcn-coalition.org URL: https://github.com/TCNCoalition/TCN Whisper Tracing Protocol (Coalition App) Architecture: Client log processing, Ephemeral IDs Author/Promoter: Nodle, Berkeley, California, TCN Coalition, French Institute for Research in Computer Science and Automation (Inria) License: GPL 3 URL: https://www.coalitionnetwork.org/ Privacy Automated Contact Tracing (East Coast PACT) Architecture: Client log processing, Ephemeral IDs Author/Promoter: Massachusetts Institute of Technology, ACLU, Brown University, Weizmann Institute, Thinking Cybersecurity, Boston University License: MIT URL: https://pact.mit.edu Privacy-Sensitive Protocols for Contact Tracing (West Coast PACT) Architecture: Client log processing, Ephemeral IDs Author/Promoter: University of Washington, University of Pennsylvania, Microsoft License: MIT URL: https://arxiv.org/abs/2004.03544 NHS contact tracing protocol Architecture: Central log processing, Ephemeral IDs Author/Promoter: NHS Digital License: private specification URL: https://www.nhsx.nhs.uk/covid-19-response/nhs-covid-19-app/ Read the full article

[13mtm80]

For those who requested my transcript of DWSA’s ‘Broadway Backstory’ podcast transcript:

File link is: [X]

Transcript:

[Patrick Hinds (intro)] Hey ‘Broadway Backstory’ listeners, Patrick here, just a quick reminder that if you are loving ‘Broadway Backstory’ there are a couple of easy ways that you can support our show. We would be thrilled if you would take one minute to rate and review us on iTunes. It really, really does help other people find our show.

Also, if you have a favorite episode of the podcast share it on your Facebook, Twitter, or Tumblr pages and tag us. We’re on Twitter at ‘bwaybackstory’ (@bwaybackstory) and Facebook at ‘BroadwayBackstory’.

And of course, I wanna say a few words about our pals at ‘TodayTix’, the people that make the podcast possible. You guys, you can get last minute theater tickets with ‘TodayTix’. Pay the best prices available whether it’s discount rush tickets, or premium orchestra seats. ‘TodayTix’ is bringing the theater going experience into the 21st century. And we’re now available in more than 10 global cities. Including New York, London, Philadelphia, and Boston. You can discover new musicals, plays, comedies, operas, ballets, and dramas in your city at the best prices.

And of course, this is my favorite part. ‘Broadway Backstory’ listeners can use the code: ‘backstory’, for 15 dollars off your first purchase. So, download ‘TodayTix’ app for free on iOS and Android or visit ‘TodayTix.com’ to see what’s playing this week and treat yourself to a show.

Okay, now to our show.

♫ [Intro music (no lyrics)] ♫

[Patrick] From ‘TodayTix’ and ‘Theater People’ this is ‘Broadway Backstory’. The podcast that finds out how shows develop from an idea to a full Broadway production. I’m your host, Patrick Hinds.

Today we’re getting the backstory of the Deaf West Production of ‘Spring Awakening’. Through conversations with the show's original creators, director, producer, and stars. We’ll find out how this little show that could, developed from a 10-day workshop to a black box production on L.A.’s skid row. To a famed regional theater house in Beverly Hills. And untimely became a critically acclaimed, and Tony-nominated beloved Broadway revival.

[Music: ‘Touch Me’] ♫ Where I go // When I go there // No more memory anymore // Only drifting on some ship ♫

[Patrick] What you’re hearing here is a clip of the Broadway cast of Deaf West’s ‘Spring Awakening’ performing on ‘Late Night with Seth Meyers’. There is no cast album for this production. So, in order to experience the show, you have to search the internet for video clips like this.

But it occurs to me now having just watched the clip that this seems right. That the glory of this production is the way the Deaf and hearing actors communicate with each other and the audience. Through the combination of sign language and song. It’s something you have to see to really get. And I know now after interviewing just about everyone involved with this production, that it’s technical. But it looks magical.

[Music: ‘Touch Me’] ♫ Where I go // When I go there // No more shadows anymore // Only you there in the kiss // Nothing missing as you’re drifting to shore // Where I go // When I go there ♫

[Patrick] Let’s start at the beginning. ‘Spring Awakening’ with music by Duncan Sheik and a book and lyrics by Steven Sater is based on the 1891 play by the same name written by Frank Wedekind.

Plot-wise there’s a lot going on in the show. But in a nutshell, it’s about teenagers grappling with authority and sexuality and trying to understand their place in the world. For the Deaf West production, many of the main roles were played by Deaf actors who communicated with sign language. But also, had a counterpart who would simultaneously speak or sing what the Deaf actor was signing.

We’ll start with the artistic director of Deaf West Theater. A man named David Kurs who goes by DJ. He’ll give us some background on the theater company.

DJ is Deaf so we communicated via email. I emailed a list of questions, he wrote out his responses and emailed them back. With the understanding that we need audio, DJ asked me find somebody that had been involved with the production to voice his responses. So, throughout the episode, DJ’s words will be voiced by actor Alex Wyse, who played Georg in the production.

[DJ Kurs] Deaf West Theater was founded in 1991 by Ed Waterstreet, an actor who had just left the National Theater of the Deaf. He was surprised there wasn’t a local theater for the Deaf community. And along with his N.T.D. counterparts who just moved to L.A., he founded Deaf West Theater.

We’ve been performing in Los Angeles for more than 25 years. Our mission statement is as follows: “Founded in Los Angeles in 1991, Deaf West Theater engages artists and audiences in unparallel theater experiences inspired by Deaf culture and the expressive power of sign language. Committed to innovation, collaboration, and training Deaf West Theater is the artistic bridge between the Deaf and hearing worlds.”

[Patrick] There’s one other piece to the work that Deaf West creates that isn’t spelled out in its mission statement. Actor Andy Mientus, who is intimately involved with this production, articulated that really, well in our interview.

[Andy Mientus] Deaf West’s mission is not to create theater for the Deaf, it’s to create theater for Deaf and hearing audiences together.

[Patrick] Meaning that Deaf West creates shows where Deaf actors are front and center, but the shows are meant to be enjoyed equally by Deaf and hearing audiences.

They have had a lot of success with this model. In addition to producing critically acclaimed productions for the Greater Los Angeles area at their home space in North Hollywood. In 2003 their production of ‘Big River’ transferred to Broadway where it was nominated for two Tony awards. And in 2009 they mounted a critically acclaimed production of ‘Pippin’ at the prestigious ‘Mark Taper Forum’.

One thing that both those productions have in common was the actor Michael Arden in leading roles. Actor Andy Mientus, who I should mention is also Michael Arden’s husband, had toured with ‘Spring Awakening’. And while on tour had seen Deaf West’s production of ‘Pippin’.

And so, a few years later when Deaf West began to think about mounting another big musical and it happened to coincide with Andy and Michael looking for a project to direct. Andy had an idea.

Here’s Andy and then DJ Kurs.

Just to note, I interviewed actors Andy Mientus, Krysta Rodriguez, and Alex Boniello together. So sometimes there’s some overlap.

♫ [Music (no lyrics)] ♫

[Andy] When I was doing ‘Spring Awakening’ I always thought it would be the ideal show for Deaf West. And I feel like the seed of that idea came from when I was doing it at the Ahmanson, they were doing 'Pippin' in the Mark Taper, and our cast went and sat in on rehearsal. And I feel like that's gotta be where it came from. And so, we, you know, just brainstormed on that idea for like a day and a half. And just sort of figured out all the different ways that it could work, and why it would be special, and so we pitched it to DJ Kurs, the Artistic Director of Deaf West at 'Intelligentsia Coffee' on Sunset Boulevard.

[Patrick laughs]

[Krysta Rodriguez] Where all good things happen-

[Andy] Where all good things happen.

�� [Music (no lyrics)] ♫

[DJ] I had seen the show on Broadway and at the Ahmanson in L.A. When Michael Arden and Andy Mientus brought the idea to me at 'Intelligentsia Coffee' in Silver Lake in 2013, I was skeptical. “Didn’t the tour just close a couple of years ago”. But when they brought up the opening scene where a mother attempts to explain the birds and the bees to her daughter, everything clicked. I thought to myself that’s a classic experience that nearly every Deaf person goes through. I mean, 90 percent of Deaf people are born into hearing families. And there’s a disconnect that begins at birth.

[Andy] DJ committed to a 10-day workshop where we were gonna work on like three different scenes from it, just to see if the idea could stick.

♫ [Music (no lyrics)] ♫

[Patrick] One of the first people to join the creative team for that workshop was Spencer Liff. An actor who’d come from Broadway to Los Angeles and found success as a choreographer on the hit Fox series, ‘So You Think You Can Dance?’.

[Spencer Liff] Michael Arden and I had known each other for years in New York, we had been friends. And I knew how special he was, and how special his mind was. And he moved out to L.A. around the same time that I did. And there’s, you know, not- There’s theater in L.A. but there’s not a ton. You sort of have to make your own theater there. Especially if you want to do something new.

So, he came to me and he had worked with Deaf West, I had not, and he basically said, “Do you want to do something really scary and crazy?” And of course, I was like, “Yes”.

♫ [Music (no lyrics)] ♫

[Patrick] I have asked a lot of what I feel like are silly questions over the course of the interviews that I did for this episode. I wasn’t even sure that that I was supposed to use the word ‘deaf’. Although, I have been assured that is the proper term. So, I was nervous to ask about the process about auditioning Deaf actors for that original workshop, but I was curious and so I figured our listeners would be too. I had to ask.

Here’s Michael Arden, who was very kind. And who was also speaking very softly because we did this interview in a rehearsal studio during his lunch break from a new show he’s directing. Anyway, auditioning Deaf actors.

[Michael Arden] Well, it’s a great question. So, usually, you invite the Deaf actor in. I have an interpreter with me or I sign for myself. But I prefer to have an interpreter just in case I, you know, miss something. And it’s just helpful to have an interpreter on hand.

And then, with the Deaf actors I had another Deaf actor, reader. But I would just watch them act. And you know, acting is acting. It was- It’s a really, exciting process because it’s listening to someone singing or listening to their voice. You’re really seeing how they really connect with another actor. And how they physicalize and how they chose to interpret the dialog. ‘Cause sign language isn’t an exact language. It’s not like there’s an exact translation from English. So, a lot of times you can get insight to an actor from how they chose to try translate the English into the sign language. And so, that often times sort of clues me into how they think.

♫ [Music (no lyrics)] ♫

[Patrick] I was curious to hear about from a Deaf actor’s perspective. So, I reached out to Daniel Durant. Daniel was cast as Moritz, one of the teenagers at the center of ‘Spring Awakening’, for that original workshop. And stayed with the show all the way through the Broadway run.

I interviewed him via Skype and through an interpreter who spoke Daniel’s answers to my questions as signed them. Here’s what the audition process was like from his perspective.

[Daniel Durant] We all kind of sat around with the script. We had lines that we had to memorize, you know, and we would just try to sign those lines in a way that that matched the music. I was a little overwhelmed because it was- It’s a musical and I’m a strongly Deaf person and music has never been a huge part of my life. And so, I didn’t really have any idea how that would work. I was really, nervous, at first.

[Patrick] It sounds incredibly naive to say this now, but it became clear to me just in that moment that, at least at that point, Daniel didn’t really know what music was. And here he was auditioning for a musical. I had to ask him about that.

[Patrick] When people talk about music to you, what is music to you? Or, what was music to you before you started working on this production?

[Daniel] It’s funny you ask that question, because now I can finally answer that. Before I couldn’t even give you an answer as to what music meant. Before ‘Spring Awakening’ I’d really didn’t have a sense of music. Now I enjoy vibrations and feeling bass and music, and I like that. But in terms of what music sounds like and what hearing people get out of music, and all the ways music connects with hearing people. That part I didn’t understand. But going through this experience with ‘Spring Awakening’ I have picked up a more understanding of that.

[Patrick] So then I had to know how do you direct a musical with actors who not only can’t hear the music, but also don’t really know what music is. Here’s Michael Arden, again. And then, choreographer Spencer Liff.

[Michael] You have to think about, “what is music”, and it’s math.

♫ [Music (no lyrics)] ♫

[Michael] You know, “Okay, so you don’t know music is, alright”. “Here’s a piece of music”. So, we look at some, and start explaining theory to them. There’s this many beats, you know, and (tap sound) tap (tap sound) their (tap sound) chest. It stays the same speed, you know, so if you take this many steps you’ll get that far across the stage. And if you take them faster that’s the tempo. And you start to explain music. I mean yeah, it’s- It was slow.

[Michael and Patrick laugh]

[Michael] It was a slow process, but you know, what’s nice is when you have to slow down is that it forces you to re-examine things you don’t- You sort of think you know (laughs). It was a lot of fun.

♫ [Music (no lyrics)] ♫

[Spencer] We thought we were gonna get six songs done, and then all these scenes. And you know, we ended up getting two songs done and barely getting through anything and it was the hardest- It was the hardest experience I’ve ever had in a rehearsal room, and the most I had just no idea how to- How to work in the process of working with the interpreters and it was so new, and- But there was these moments of beauty that were created in those first workshops that made every excited. And made everyone pushing forward.

[Patrick] The next significant step for the production came in the fall of 2014. After the success of the original workshop, Deaf West funded a full production to be mounted in Downtown L.A. in the 99-seat theater at a facility called ‘Inner-City Arts’.

By this point, Andy Mientus, who had co-direct the workshop, had been cast in the Broadway revival of Les Mis (‘Les Misérables’) in the role of Marius. And so, Michael became the sole director. Here’s what Michael said when I asked him about the trajectory of the show at that point.

[Michael] It was just to do a small production, 99-seat production in L.A. And share this story through this lens. And you know, we never had our eyes set on Broadway or anything like that. It was sort of for this thing for our mind. Which is probably why we did such the work we did. That it was really, just about telling this story in the time and place we were in.

[Patrick] As I mentioned, the show centers around a group of adolescent school kids in Germany in the 1890’s. For Michael’s production, many of the school kids would be Deaf and so as rehearsals began Michael began to research what education for Deaf students was like at the time that the show takes place.

What he uncovered was startling. And we’ll get to that in just a second. But to fully understand what Michael learned and how it shaped the show you need to know about something called the Milan Conference that happened in 1880.

So, here’s Deaf West’s artistic director DJ Kurs. And then Michael Arden.

♫ [Music (no lyrics)] ♫

[DJ] I think above all humanity is afraid of the other. Deviations from the norm. And that is why Deaf people suffered during the place and time that ‘Spring Awakening’ takes place in. It takes place during a dark time in Deaf history. That is the aftermath of the Milan Conference from 1880 in which hearing educators of the Deaf got together and decided that Deaf students should be taught orally. And that sign language should be banned. It is the desire to normalize Deaf people that proved destructive to the Deaf individual then and still does today.

♫ [Music (no lyrics)] ♫

[Patrick] And here’s what Michael found.

[Michael] I started to uncover all this information about the Milan Conference and how Deaf students were taught and not taught. And for those who don’t know, oralism was adopted as the only acceptable way of educating Deaf kids at that time. Which meant that no was sign language, so Deaf kids were forced to speak and read lips. And for many Deaf kids, I mean we know this know, in spades that that’s just a completely untangible expectation.

And so, so many kids were deemed “oral failures” and they were sent to asylums. Deaf individuals were sterilized at the time. Mostly women were sterilized. ‘Cause, they want to sort of- It was- Deafness was seen as a sickness that needed to be sort of cured or sort of eradicated. As apposed to, you know, we now know and see it as a culture and a strong beautiful culture. I wanted to somehow tell that story that no one really knows. I mean it’s this incredibly dark chapter in Deaf history and world history and sort of the history of education.

And it’s sort of, I mean, I would like to say it was like from the get go what I had in mind, but it wasn’t really. It sort of came to the process while we were in rehearsals. And made changes based on that. So initially, like in the school room, the teacher, there was a Deaf teacher. And then, I said, “No, this isn’t working. Let’s try this”. And Okay, well what if you aren’t allowed to sign what if this is all about signing in secret. And this other story began to emerge that I think was really, exciting and we haven’t seen before.

[Patrick] I’m sure that Michael is right that most hearing people don’t know the dark history, I certainly didn’t. But I wondered about the Deaf community. Did they know? So, I asked Daniel Durant, the actor you heard from earlier who played Moritz in the show.

[Daniel] Oh, yeah. Oh, yeah. It’s part of our culture. This history is part of who we are. As every Deaf individual knows this of our struggle to be recognized and to have our language recognized. This is something we still struggle for today.

[Patrick] Another thing to emerge in that production in that tiny theater in downtown L.A. was the significance and importance of the choreography, because of the fact that, it needed to incorporate sign language.

Duncan Sheik, who wrote the music for the show, pointed this out to me when I asked him about seeing that first incarnation of the Deaf West production.

[Duncan Sheik] Just from the movement standpoint you had the sign language itself became another kind of layer of choreography. And that just added so much too, because of Bill T. Jones the original choreography was amazing. But, you know what Spencer did plus the signing, it kind of made the show much more about movement than it ever had been before. And that was kind of a revelation. And really a lovely one, in fact.

♫ [Music (no lyrics)] ♫

[Spencer] Sign language was my goal and concern and everything stemmed from that.

[Patrick] This, again, is Spencer Liff, the choreographer. I asked him about the challenges of choreographing for a largely deaf company and if he was intimidated by the mantle of Bill T. Jones’ iconic and Tony-winning choreography for the original production.

[Spencer] So I can honestly say that I never once really thought about what was done originally because it just wasn’t in the realm of where my head needed to be. So, I just sort of did what I wanted to do, what needed to be done for the show. I guess I had in the back of my head that, if anything aligned with what was originally done, and I came to that on my own terms, then that’s what was meant to be, but I don’t know. I just wasn’t scared of it. I had way too much other stuff to think about to worry about what he did and what I did. But everything he did was very gesture based. Obviously, that’s what we had to work with, as well, so, I think that’s where the similarities came from.

[Patrick] Daniel Durant spoke very passionately to me about the power of incorporating sign language into the choreography at that very early stage and the response it seemed to elicit from people.

[Daniel] Though we can’t necessarily hear the music, we can tell a story through music. People were in awe of it. People would say they would want to see more ASL integrated into theater, because it’s a more three-dimensional language. It has emotional impact on people. The emotions stick with people for longer periods of time once they see the emotions in three dimensions. You get emotions from hearing songs, too. But it is only in that one dimension. So, it’s a little bit reduced, I think, the story you can tell. I really like that we’re using this three-dimensional language to express things in a different way.

[Music: ‘The Bitch of Living’] ♫ God, I dreamed there was an Angel // Who could hear me through the wall // As I cried out like in Latin // This is so not life at all ♫

[Patrick] The downtown LA production officially opened in early September, 2014, to rave reviews. The LA Times said, if rippling goosebumps are any indication of emotional involvement, this show delivers. It’s hard to enumerate all the ways in which Deaf West’s ‘Spring Awakening’ is so very, very good. With the reviews came the news that, within months, the show would be transferring to a much larger theater at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. Because that production would be a remount, they were allotted only a two-week rehearsal period. And, as commonly happens, not all of the actors from the downtown production were available for it. Enter Alex Wyse, Andy Mientus, Krysta Rodriguez, and Alex Boniello. Here’s Andy Mientus, who would be taking over the role of Hanschen.

[Andy] So Michael called me in this deep panic, saying, oh my god, who are we going to find somebody that can learn the part, let alone the part and the ASL. I was like, well, if you can’t find anybody else, and if it doesn’t look absolutely, ridiculous that I’m still playing a teenager, then I’ll do it. Because it was only going to be a three-week run, just really, as a victory lap for that production from the 99-seat theater. So, it was very low stakes.

[Patrick] Krysta Rodriguez, who had been an understudy in the original Broadway production of ‘Spring Awakening’, was at that time battling breast cancer when she received a similar call.

[Krysta] In that weird, nebulous time, it was like, if you can’t find anybody else we need whoever we can find. That’s where Alex and I joined on as well, because it was the same. The people that were playing our parts had gotten other jobs, and everybody was obviously going to take an opportunity that was the next step, instead of a lateral move with this show.

[Andy] There was absolutely-

[Krysta] No indication-

[Andy] -No plan for this to come to Broadway at all.

[Krysta] Yes. The Beverly Hills run was literally the six weeks in between my last chemo treatment and my surgery. He was like, “what’s your treatment schedule like”. And I was like “I don’t know, what are the dates”. And he gave them to me. He was like, “do you want to play Ilse”. And I was like, “uh, yeah”.

[Patrick] Alex Boniello’s story of being cast as the Voice of Moritz, the counterpart to the role that Daniel Durant had been playing since the workshop, is especially amazing.

[Alex Boniello] I’ve told it a whole bunch of times in various interviews during the run of the show, but I’ve never done it with Andy here. So, I kind of want-

[Andy] Do you want me to hold your hand?

[Alex] Don’t- Please don’t touch me. I want to hear his perspective. I was sitting in my apartment. I had just finished doing ‘Brooklynite’, which was an Off-Broadway show. I was literally getting dressed to go cater ‘The King and I’ reception for their opening night at Lincoln Center. I was just sitting there getting into my little vest that I had to wear. He followed me on Twitter. When someone who has many followers follows you, you get notified. I was like, “Oh, I guess it’s not that weird. We know a lot of the same people, whatever”. Then five seconds later he sent me a direct message. And he just said, “Hey, number one, Matt Doyle says we should be friends; number two, what are you doing in the next couple weeks”. I was like, “Nothing, what’s up?”

He was sending these quick and- “Deaf West is doing ‘Spring Awakening’, need Voice of Moritz. Also, plays guitar. Are you available? It’s going to be in LA. Could you get to L.A. in-” I was like, “Yes, I would love to do that”. I Skyped with Michael, I think the next day, and just played guitar for him and sang for him. He was like, “Great, thank you so much. Okay, we’ll be in touch soon”. Then the Skype call ends. Fourteen seconds later he texts me. He’s like, “Hey, so, we want you to do it. What’s going on?” I’m like, “You tell me what’s going on”. So, it was like three days later, I was on a plane.

♫ [Music (no lyrics)] ♫

[Patrick] The new actors had a lot of catching up to do and not a lot of time. One of the biggest obstacles, of course, was learning how to communicate with their deaf cast mates. Here are Alex and Daniel.

[Alex] The first day of rehearsal, there was this ASL workshop type thing. I was taking an Uber there with Andy. He was like, just so you know, this is going to be really, interesting for you. Because I’d never met a Deaf person, ever, until this.

[Patrick] Oh, wow.

[Alex] So I was like, what do you mean; and he’s like, you’re going to see. Just walk in. It’s going to be fine. So, I walked in the room. I’ll never forget it as-long-as I live, walking into a room that, theoretically, would be so loud and bustling with communication that I understand.

It was a room full of these kids who were so excited to see each other again. And it was dead silent. They were all fully conversing with each other with hand movements that I didn’t understand a single one of. I walked in there, and I was like, oh my god, this is wild. But Daniel knew that was the case.

[Daniel] The first time we met each other, I was told he would be my voice actor. I remember that he knew no ASL. So, we exchanged phone numbers and got to know each other through texting.

[Alex] The first thing that we did- He gave me a big hug. We sat down. He pulled out his cell phone, and he started typing things and showing things to me. A fascinating thing about Daniel, too, is, there are so many different levels of Deafness. Daniel had never heard- Ever, ever, ever. So, sound does not exist in his world, period. So, he thinks in concepts. He thinks in pictures in a way that we think in words and language. So, when he was typing to me, English is his second language, so that’s pretty clear. That was fascinating for me to learn. Right away, I was like, “Oh, wow”. It’s similar to, if someone’s first language is Spanish, and they’re typing English to you. You’ll notice things like that.

[Daniel] We decided to finally sit together and go through the script, and I would sign it. And we would talk about what we thought the lines meant. That was a way for us to start building some chemistry around the character.

[Alex] Watching him do the signs, trying to approximate what I thought his version of the character was feeling while also putting- It’s impossible for you not to put your own thing to it. But your job is to make sure his is the forefront. But yes, that’s kind of what it was. It was very, very slow. And we had two weeks to do it.

♫ [Music (no lyrics)] ♫

[Patrick] I wondered what the social dynamic was like in the rehearsal room between the groups of hearing and Deaf actors. This was how I posed the question to Andy Mientus.

It sounds like the hearing actors maybe were working around the Deaf- It was their playing field that you guys were coming onto. Was that how it felt?

[Andy] Absolutely, because it’s a rare opportunity for them to be the focus. So, it was staged very deliberately to make sure that the signing was the focus. That the Deaf actor was the focus. Because that’s something that audiences don’t get an opportunity to see a whole lot. It’s something those actors don’t get to do, sadly, a whole lot. So of course, they should be the focus of it. It’s what made it special and different from that original.

[Patrick] Here’s what Daniel Durant had to say.

[Daniel] Well, I think it was a half and half situation. We were learning about music and the rhythm of music, why sounds are made in certain ways to cause emotion. They were learning similar things about sign language. So, you could see it becoming, instead of two groups, becoming one group where there was mutual learning between each group. Both in sign language and in music. I give a lot of credit to Michael Arden, because of the process.

I’ll never forget the first rehearsal back in Los Angeles. And it really was a place where we bonded together, and we got to know each other personally in terms of our backgrounds. We became sort of a family there. He’s really, adept at that, creating that sort of bond. I think Michael Arden really needs to be credited for being one of the top directors around.

[Patrick] Here’s Michael Arden.

[Michael] None of our hearing actors, with the exception of one, who knew a little bit, knew any sign language before we started. It was like, here, meet this person who you’re going to be spending every moment with, and learning how to communicate with. It was so exciting to watch these all these young actors. For some it was their first play. Theater is, ultimately, communication. They were having to relearn that on a basic level. It really stripped everyone of any ego, so it just cleared out all this space for this amazing work and growth to take place.

[Music: ‘Song of Purple Summer’] ♫ And heaven waits // So close it seems // To show her child the wonders // Of a world beyond her dreams // The earth will wave- ♫

[Patrick] The work, of course, paid off. The show opened at the Wallis in May of 2015; again, to rave reviews. This time, Charles McNulty, in the L.A. Times, called the production stunning, enthralling, and a rousing success.

[Music: ‘Song of Purple Summer’] ♫ And mares will neigh // With stallions that they mate // Foals they've borne // And all shall know the wonder // Of purple summer ♫

[Ken Davenport] I’ve had a man crush on Michael Arden forever, and a talent crush.

[Patrick] This is producer Ken Davenport. He would, ultimately, become the show’s lead producer for Broadway.

[Ken] I’ve been a fan of Deaf West for years, and then I heard the were doing ‘Spring Awakening’. I knew some folks that were involved with the production, and I had done a little bit of- I’d given them some advice on things about developing the show, from a business perspective. Then I went to see it on a lark. I had actually read the review from Charles McNulty, who is a very tough critic. And when he went crazy for it, I said, wow, there really must be something going on here. I just happened to be in Los Angeles for a wedding their final weekend. I said, “Meh, I’ll go check it out” and I went and was unbelievable moved. I remember thinking, “I have to get this to Broadway”.

[Patrick] Wow. Was there anything in particular you remember from that performance that made your producer Spidey senses just go off?

[Ken] Yes. It happened within the first 15 seconds. ‘Spring Awakening’ has this beautiful, beautiful beginning. This haunting Duncan Sheik melody. Wendla comes forward and starts to sing “Mama Who Bore Me”. In the Deaf West production, she came forward and then there was this great duality, for those of you who have seen it. The duality of the staging and the guitar. She came forward, and she started to sign it. My heart broke for her.

[Music: ‘Mama Who Bore Me’] ♫ Mama who bore me // Mama who gave me // No way to handle things // Who made me so sad // Mama, the weeping ♫

[Ken] All of a sudden this effort, this desire in the actress- Of course, she was so wonderful the desire to communicate her innermost thoughts and emotions just seemed so much more passionate when told through sign. This effort of, “I so want to talk to someone. I so want someone to talk to me. And I’m just looking for a way for someone to listen and for someone to hear me”. It was just so much more powerful through sign language. I remember thinking, “Oh my gosh, thousands, and thousands, and thousands more people have to see this”.

[Patrick] Here’s how Deaf West artistic director, DJ Kurs, remembers meeting Ken Davenport that day. The Cody he’s talking about is Cody Lassen, another of the show’s producers.

[DJ] During intermission, Ken comes out and starts talking to Cody. I remember him seeming very interested, and my interpreter attempted to eavesdrop their conversation. But they were speaking in low tones. My instinct as a Deaf person tells me to hang low in these situations. And I guess in this case, the work spoke for itself.

[Ken] DJ Kurs came up to me after, and I was just so moved. I was like, this is amazing; this is incredible. I hadn’t really said, I’m going to move it to Broadway yet. DJ said, “We hope you��ll help us figure out a life for it after”. I remember just kind of saying- And what was amazing for me is, it was probably the first ever conversation I’ve had with a Deaf person.

[Patrick] I was going to ask you: How did you communicate with him?

[Ken] We had an interpreter there. I have never had a conversation. I’ve certainly said “hello” or spoken to someone very quickly, a brief greeting. But I’d never had a discussion, especially something as serious as this. The interpreter came over, and of course, this is one of the reasons I wanted to do the show. Everyone’s first experience: “Oh, you’re nervous. What do I say? Who do I look at?” These are things that we don’t know. What I hope and pray is that our production of ‘Spring Awakening’ helped educate people on some of those issues. I remember having this conversation and looking at the interpreter. He said, “I hope you’ll help us get-” and I was like, “Yes. No, no, we’ve got to get this to New York”. I just remember saying that. Once I say something, I’m just a guy that has to figure out how to do it.

♫ [Music (no lyrics)] ♫

[Patrick] So, when you’re sitting in a theater, and you decide, this has to go to Broadway, what do you do then?

[Ken] The next step in this specific case was me calling a theater owner; because I analyzed- Actually, the list is right over there. Those are all the theaters that are on Broadway and the shows that are coming in, and also what I think is coming in on top of them.

[Patrick] Your guess, educated guess?

[Ken] Yes, and you know, my nose to the gossip mills, if you will. That analogy made no sense, but you get it. So, I had a feeling I knew what was coming in, and I thought there might be a slot available at the Brooks (Atkinson). So, I called the Nederlanders and said, I think you may have a window, and I have the show for you. Thankfully the Nederlanders- I couldn’t get half the pitch out of my mouth, of, “It’s the Deaf West production of ‘Spring Awakening’”. They were like, “We’re very interested in the show. Give me five minutes to figure this out. We’ll talk to you some more”. They did. They came back. “Yes, we have a slot. We just need to hear some more about the show”. Very quickly, they said, “We would love to have you in our theater”.

[Patrick] Wow. How did you raise the money? I don’t even know- Did you need to raise money, and how did you do it?

[Ken] Oh, yeah. We had to raise four and a half million dollars in 86 days. So, it was 86 days from the day that I saw it to the first preview. At this point I had given no thought to not only how I would raise it, but also how much it would even cost. What I think should drive all art and all production of anything is, “I must do this. I have to do this”. And then you figure- “Okay, now we have to figure out how we’re going to make it all happen”. I just trusted, also, that anything this powerful- People would raise their hands and say, “I want to support this. I want to be a part of it”. That’s what happened.

[Patrick] I’m always the most excited to find out how actors found out they’d be going to Broadway. For this production, since the show had closed before the decision was officially made, most of the actors found out via email. For Krysta Rodriguez, who at that point was recovering was recovering from a double mastectomy she’d had as part of her cancer treatment, the moment was especially surreal. Here’s Krysta, and then Daniel Durant.

[Krysta] We actually got the call to go to Broadway as I was recovering from the surgery. I was hopped up on drugs. I had to be like, “Is this real? Did this actually happen, or did I fever dream this thing that we’re going to Broadway?”

[Daniel] It was a huge moment for me. I’ll never forget it. We had a gut feeling, but it was really a huge question. There was a big question in the air, and then DJ from Deaf West, the artistic director at Deaf West- We kept kind of waiting for him to let us know. One day I was in my basement watching Netflix, and I get this email from one of the producers, or someone, saying, “We’re offering you this role of Moritz on Broadway”. I was stunned. I looked at that email for several minutes, and then finally I called my mom, and I Skyped with her. And it was very emotional. I was telling her I was going on Broadway. My mom is a big theater nut. So, she was just thrilled. We were all just stunned. It took a few days for it to set in that I was going to be moving to Broadway, moving on and doing this show.

[Patrick] Coming to Broadway, of course, also meant relocating most of the Deaf actors from California to New York. Here’s Ken Davenport.

[Ken] I said, “Oh, they’ll move here”. And then we were like, “Wait, that’s just not as easy for them”. What, again, they proved, was, “Yes, we’ll move here. We’ll figure it out”. What I loved was, it was not this- “Don’t treat us in a certain way. We can figure this out”. And they banded together, and a bunch of them- It was 18 to a room in some- It was crazy. But yes, we had to give everything an extra thought. But I think that all taught us a very valuable lesson.

♫ [Music (no lyrics)] ♫

[Patrick] Something that I haven’t mentioned until just now is the fact that the Deaf West production of ‘Spring Awakening’ was breaking ground in yet another way with actress Ali Stroker. Ali had been with the production since the LA run. But when the show moved to Broadway, Ali, who is paralyzed from the chest down, would be the first actress in a wheelchair to appear on Broadway. The way the cast and creatives talk about Ali, especially with the challenges she faced, just logistically working in a handicapped-inaccessible Broadway theater, is so emblematic of how close this team was. Here’s choreographer Spencer Liff, and then Andy Mientus and Krysta Rodriguez.

[Spencer] Ali is one of the best people you’ll ever meet. She’s constantly pushing boundaries, but she’s much more aware of her capabilities than I was at the beginning. We had a conversation on the very first day. And I said, “Hey, this is totally new for me. I’ve never choreographed for someone in a chair”. She showed me a lot of videos of her dancing. She’s on an actual wheelchair dance team. I watched those, and I was like, “Holy crap- You can do a lot. Okay, there go my judgments of what you can and can’t do”. Then I really focused on what she could bring to the table that someone who wasn’t in a chair couldn’t. I made her the cornerstone of a lot of my formations and was able to use her capabilities and showcase them. Which is the place I came from with her.

She would look at the choreography I did and adapt it herself. Then we would, in our own private sessions, work to- “Okay, you’re going to turn this way at this time. How do you sign and move your chair? Where do we drop the hands?” It was complicated, but she’s unbelievable. It’s funny- It was one of the first things I thought of when we knew we were going into the Brooks. I was like, “Well, where are we going to put Ali”. She has to be on the main floor. And they have to get a ramp, because there are stairs to get in just the door.

The cast would band together. When we first got into the theater, Andy picked up Ali and took her to every floor to make sure she could see the whole theater.

[Patrick] Oh, my god. I’m going to bawl.

[Spencer] That cast held onto each other so tight and loved each other so much.

[Patrick] I was very excited to get to ask Andy about this.

Did you really take her out of her chair and take her all over the theater when you guys first went into the Brooks Atkinson?

[Andy] Yes.

[Krysta] We took her everywhere.

[Andy] We’re always picking her up.

[Krysta] Unfortunately, you have to. There is so little accessibility in so many places. We would have a joke about the rating of accessibility in each place we’d go. “Accessibility zero”. This is not- So, yes. She’s so good at maneuvering that. But yes, we would have birthdays in the basement. Someone would have to take Ali, carry her downstairs and set her there to sit and watch and hang out, because she can’t get down there. Also, the Brooks Atkinson- They renovated a dressing room on the ground level for her to be able to get into and made a bathroom for her to move around. It’s great now. That theater is fully accessible- Well, not fully accessible. But more accessible than a lot of the other ones that have been around a hundred plus years that didn’t have the ADA (Americans with Disabilities Act) regulations that they have now.

[Patrick] Throughout the Broadway rehearsal process, Ali also held her own in Spencer’s notoriously difficult warmups. Here again, is Spencer and then Krysta.

[Spencer] I would lead this very long, aggressive workout every single morning, where they would have to plank, do pushups, and do cardio. She always was there doing her own version. I would bring an elastic band in, and we would do biceps together. It was very cool.

[Krysta] Truly, at that point, I was held together with sweat and Scotch tape. My brain was gone. I had chemo brain like crazy. I was recovering from surgery when we came to do the production. So, we would do Spencer’s warmups, and I would not do some things. I’d be like, “You know what, I just had surgery. And I don’t need to”. I’d look over, and Ali’s doing triceps pushups on her wheelchair. I’m like, “Okay, I guess we’re doing this now. I guess I don’t have an excuse. There are Deaf people dancing, and Ali’s doing pushups. So I just have to do it”.

[Patrick] All of this is just to say that, as an ensemble, they cared about each other. Loved each other, even. They were connected, and their show lived or died by that connection. Here’s Alex Boniello and then Krysta Rodriguez.

[Alex] “Don’t Do Sadness” was a really, big thing for that, because Daniel had to jump off of a staircase. I would give him this cue, and he would always be late. I’m like, “Why is this happening?” And one of our ASL masters, Elizabeth Green, is the only hearing ASL master. She goes, “Well, it’s because you’re thinking about it like a hearing person. So why do you think?” And I was like, “Because I’m tapping my chest when I want him to jump. But his brain needs to see it and then jump”. So, for someone who’s hearing the music, I would want to be like:

[Alex (sings)] ♫ You just sail away, because you know... ♫ tap.

[Alex] Because that’s when I want him to jump. I would have to go:

[Alex (sings)] ♫ You just sail away because... ♫ tap ♫ ...You know... ♫

[Alex] In the middle of my- It was like tapping your head and rubbing your stomach at the same time and realizing that that’s how it has to go.

Daniel and I would laugh. He’s like, it’s working now? And I’m like, “Yeah, it’s working now”. He’s like, “Why, and then I would try to explain it to him. I don’t even have the vocabulary in your language to explain to you why this works, but trust me forever and ever, and we’re great”. He’s like, “Okay”.

[Music: ‘Don’t Do Sadness’] ♫ Just sail away // 'Cause you know // I don't do sadness // Not even a little bit ♫

[Krysta] Yeah, as far as focus: Man, I’ve never- You do other shows, and you have to pay attention. You can’t just be thinking or whatever. But the whole show relied on us giving the cues at the right times and relied on us- As soon as your hand would move, they would start signing. It had to be on the word. If you spaced out for a second- I mean you can imagine what would happen if a person who can’t hear the music- If something went wrong, and they just keep going, because they don’t know that something’s different. Or they don’t know that the music didn’t start, or that the track didn’t come on, or anything. So, everyone- We were just on edge all the time, totally focused on each other, or else the show could have fallen apart so many times, so many times.

[Alex] Seconds. In-

[Krysta] There were actually a couple times- We had this thing we called the ship during “Touch Me” where we all had to walk together. We would sort of tap on the shoulders. After a while they know the rhythm, but sometimes the tempos of songs are different. That’s what live theater is. So, we’re tapping, and sometimes we’d call it the shipwreck, because it couldn’t get together. Spencer, actually, was like, “you know, sometimes those are the most magical. Because it reminds the audience that these people cannot hear”. That we’re doing all of this without- And not just maybe hear. They cannot hear. They’re dancing on rhythm, on beat, with emotion and with dynamics. Loud and soft and all of that stuff. Those times were actually kind of special, when you’re like, “Oh, this is actually a treat, every night; a treat”.

[Music: ‘Touch Me’] ♫ I’ll tell you how // Where I go // When I go there // Touch me // Just like it // Now that’s it // Oh, that’s heaven, touch // I love your light ♫

[Patrick] The Deaf West production of ‘Spring Awakening’ opened for a limited engagement run on September 27th, 2015, to rave reviews. Charles Isherwood of the New York Times said that the “show was born anew, was thrillingly inventive, and was directed with remarkable finesse by Michael Arden”. The production ran for a previously determined 23 previews and 135 regular performances and went on to be nominated for three Tony Awards, including best lighting design of a musical for Ben Stanton, best direction of a musical for Michael Arden, and best revival of a musical.

[Music: ‘Song of Purple Summer’] ♫ A summers day // A mother sings // A song of purple summer // Through the heart of everything // And heaven waits ♫

[Patrick] One of the great things about making this episode a year after the show closed is that the people who made the work now have some perspective on it, so I want to end by sharing some of the thoughts and takeaways the cast and creatives shared with me. DJ Kurs goes first.

[DJ] Talking about it a year later, we can only view it from the rearview mirror. The achievement of our production feels even more exceptional in the age of Trump. It is magical when Deaf and hearing artists cross cultural and linguistic boundaries to work together in the purpose of creating art, and even more so when hearing and Deaf audience members sit together to enjoy the same show. I’m also very proud of the press that we got. Everything from the first reviews to the celebration of Ali Stroker as the first performer in a wheelchair on Broadway. I’m also just very happy that our production has inspired so many other productions that involve Deaf talent and am very proud of the outsize impact that our little theater company has created.

[Patrick] Here’s Daniel on his feeling about Broadway run and the legacy of the production.

[Daniel] I think part of the legacy is just a little bit of magic that happened in that show. Music and English and American Sign Language and choreography: These were all layer upon layer, upon layer. It was so textured and gave the audience something different. And historic moment for Deaf people, for our culture, and for all of these people who were involved in the production. I just think it was so historic.

[Patrick] Here’s Michael Arden.

[Michael] I hope that our production gave both audiences and theater makers and producers an opportunity to see how exciting performers with different abilities can be. I think there are so many ways to tell stories, and having Deaf actors and hard of hearing actors and actors in wheelchairs- These things just don’t happen. Yet sometimes we can somehow tell the story more clearly and in new ways. So, I hope it served as an enlightening experience. To think, “Hey, why can’t I hire a Deaf actor for this role. Maybe I’ll get something more out of it because of that”. An opportunity for audiences to come and enjoy theater in their own language and to not feel like they had to come to just the one signed performance where they get to look to the side of the stage but miss what’s happening on the stage.

I think that’s important because I think we’re supposed to as theater makers, it is our charge and our duty to reflect the world around us and not just the parts of the world that look just like we do.

[Patrick] We’ll leave you with a story from Spencer Liff about an experience he had at Pearl Studios, a place where a lot of theater auditions are held here in New York City.

[Spencer] A few days ago, there was a long line of girls standing outside an audition room, waiting to sing their 16 bars. And there was a girl in a chair in that line. I was so happy, immediately, thinking, the people in that room are going to be forced to think about nontraditional casting. They’re going to have to go, “Oh, could we put this character that’s not written as someone in a chair-” And then I thought, “Somebody in that room saw ‘Spring Awakening’, and maybe they’ll say they saw Ali Stroker and that it can be done”. This girl and I- This girl in the chair- We locked eyes. She lit up. She came over to me, and she knew who I was. Not only was she in a chair, but she was hard of hearing and wearing a hearing aid.

She was like, “I saw ‘Spring Awakening’, and for obvious reasons, I was incredibly inspired by both of those factors. I’m able to come to these auditions now and put myself in positions that- It doesn’t specify an actress in a chair”. I couldn’t get over that all day- What an impact Ali had made to this girl, and our show in general. How many of those stories there are of people that came to see our kids onstage inspiring them to go after their dreams and goals.

And that- I came home and called Michael Arden and told him that story, and both of us- It reminded us that it was bigger than what we had done in the theater, even. I was so happy I had that moment.

[Music: ‘Song of Purple Summer’] ♫ I will sing the song of a purple summer // All shall know the wonder ♫

[Patrick] Stay tuned after the credits for scenes for our next episode.

[Music: ‘The Bitch of Living’] ♫ God, I dreamed there was an Angel // Who could hear me through the wall // As I cried out like in Latin ♫

[Patrick] If you enjoyed today’s episode we would be super grateful if you take a minute to rate and review us on iTunes. You can also follow us on Twitter, we’re at ‘bwaybackstory’ (@bwaybackstory) and Facebook, where we’re at ‘BroadwayBackstory’.

Huge thanks to the people at ‘TodayTix’ who make this podcast possible. So just a little bit more about them. You guys, ‘TodayTix’ pioneered mobile lotteries and was the first to offer digital Broadway lotteries. With the ‘TodayTix’ app you can enter daily lotteries to win discounted or free tickets to selected Off-Broadway and Broadway shows. Share your entries on social media to double or triple your odds of winning. You can also sign up for alerts to get a reminder the next time a lottery is open for entry.

Download the free ‘TodayTix’ app on iOS and Android for even more exclusive deals and promotions. Including access to exclusive lottery tickets to the hottest shows in your city. And don’t forget, ‘Broadway Backstory’ listeners can use the code ‘backstory’ for 15 dollars off your first purchase.

Huge, huge, huge thanks first and for most to Alex Boniello, who helped arrange so many of the interviews I did for this episode. That kid has hair for days. You can follow him on Twitter at ‘alexboniello’ (@alexboniello).

Also, a huge thanks to Mr. Alex Wyse who stepped in at the last minute to provide the voice for DJ Kurs. That guy is hilarious on Twitter. You can follow him at ‘alexwyse’ (@alexwyse).

Special thanks for the invaluable production help from Steve Tipton, my husband who I really, truly could not make this podcast without.

Also, Mike Jensen, Matt Tamanini, Rickie Condos, Chloe O’Connor, and Chloe Lindt.

[Music: ‘The Bitch of Living’] ♫ God, my whole life's like some test // Then there's Marianna Wheelan ♫

[Music: ‘Legally Blonde the Musical’ “Oh My God Guys”] ♫ Dear Elle, honey, mazel tov // Future's taking off // Bring that ring back // And show it to me // Four carrots, a princess cut // Are you psyched or what? // I just wish I could be there to see // When he gets down on one knee // Oh my god, oh my god, you guys // Looks like Elle’s- ♫

♫ [Music (no lyrics)] ♫

[Laurence O'Keefe] And we got into a conversation about this phenomenon that happens to young women called “dumbing themselves down”. And I was like, “wait you’re kidding? That really happens?”. He said, “Oh, absolutely”. He said, you know, it’s one of the reasons that all girl schools became, you know, popular at some point. Because, they thought if they removed the male element from the equation, these girls could, you know, excel.

And having just seen ‘Legally Blonde’ the film, I got me thinking like, wow, here’s a girl who’s smart enough, if you think about it, to get into Harvard Law. And why does she do it? To chase the jerky guy.

And I thought, now that’s a story we gotta tell. And we immediately said, well there’s only one person who we know that we think is ready to direct and this is Jerry Mitchell.

[Jerry Mitchell] ‘Legally Blonde’ was a massive, massive undertaking and great learning experience. I was ready to tell that story. I knew how to tell ‘Legally Blonde’.

[Laura Bell Bundy] I sent him an email, and I just said, “Hey Jerry, I heard about ‘Legally Blonde’, I am so happy for you. You totally deserve this. You’re going to kill this. And by the way, I know someone who would be really, great for Elle Woods, wink, wink”. He responded back immediately and said, “Why do you think that I came to see you in ‘Wicked’ I wanted to see if you could carry a show”.

[Jerry] And then we opened in New York, and we got a rave from Variety and some other great reviews. But the only review that matter in New York City is the New York Times.

[Patrick] Do you have any thoughts on the reviews?

[Nell Benjamin] My general thinking on them was they were not particularly positive.

[Richard H. Blake] We were passed over for nomination for best musical, which look, at the end of the day, I’ve won Tonys. I’ve not won Tonys. At the end of the day it’s got to be about the work. ‘Legally Blonde’ is one of the things I’m proudest of, but I’m not going to say it didn’t hurt.

[Patrick] Next time on ‘Broadway Backstory’.

♫ [Music (no lyrics)] ♫

If you prefer Broadway Backstory’s transcript, go here: [X]

[brajeshupadhyay]

Google Maps updates with a ‘more vibrant’ appearance

Google has rolled out a worldwide update of its popular maps app to give terrain a ‘more vibrant’, detailed and colourful appearance.

The visual makeover adds greater detail and makes natural features easier to see, such as beaches, deserts, lakes or snow caps on the peaks of mountaintops.  

The updates gives Google ‘one of the most comprehensive views of natural features on any major map app’, the tech giant has said.   

The redesign will be available across all 220 countries and territories that Google Maps supports, starting this week. 

Scroll down for video 

Google is rolling out visual improvements that bring even more detail and granularity to the map. This before and after of Croatia in Maps shows more landscape detail. Users can clearly make out the beaches and greenery that line Croiatia’s coast and nearby islands like Hvar

‘We’re rolling out new visual improvements that bring even more detail and granularity to the map, making it easier to understand what an area looks like whether you’re exploring virtually or planning a visit,’ said Google Maps product manager Sujoy Banerjee in a blog post. 

‘With a new colour-mapping algorithmic technique, we’re able to take this imagery and translate it into an even more comprehensive, vibrant map of an area at global scale. 

‘Exploring a place gives you a look at its natural features – so you can easily distinguish tan, arid beaches and deserts from blue lakes, rivers, oceans and ravines. 

Iceland’s mountains and glaciers are better represented by the new update, which is due to roll out this week

‘You can know at a glance how lush and green a place is with vegetation, and even see if there are snow caps on the peaks of mountaintops.       

Google has used a new colour-mapping algorithmic technique to make the service, which launched 15 years ago, visually richer.  

In Iceland for example, Vatnajökull, the largest ice cap in the country, is now shown in white, while rocky areas are of the country in the north are in light brown. 

The caps, mountainous ridges and surrounding vegetation of Mount Rainer National Park in the US, meanwhile, are also more clearly visible.  

Before and after shows extra detail added to Morocco on the west coast of Africa, including dense vegetation in the north

With this update, Google Maps has ‘one of the most comprehensive views of natural features on any major map app’

Previously, the colour coding on Maps was largely limited to green and brown, with lightly shaded areas to denote urban centres. 

For the update, Google has used computer vision to identify natural features from satellite imagery, looking specifically at arid, icy, forested, and mountainous regions. 

It’s then analysed these features and assigned them a range of colours on the HSV (hue, saturation, value) colour model.

HSV was developed in the 1970s as an update to the more primitive primary coloured RGB (red, blue, green) colour model. 

This means a densely covered forest can be portrayed as dark green, while making an area of patchy shrubs a lighter shade of the colour. 

Mount Rainer National Park in the US. The update aims to make it easier for users to understand what an area looks like when planning a visit

Sedona, Arizona in the US. The new update (right) reelects its desert landscape and more clearly displays where Red Rock State Park is

With this update, Google hopes to give users a clearer idea of what to expect from the terrain before they embark on a journey and ‘get a feel for an area’.          

Google also revealed that a more detailed street view is also in the pipeline, which will start with London, New York, and San Francisco in the coming months, with plans to expand to more cities over time.

This update will show the accurate shape and width of a road to scale, Google said, allowing people to see exactly where features like pavements, crossings and pedestrian islands are located.   

This is crucial information for Maps users who have accessibility needs, like wheelchair or stroller requirements, it said. 

These details will also be particularly helpful during the coronavirus pandemic, as more people are opting to walk or take other forms of solo transportation. 

Google Maps, which launched in 2005, is used by more than 1 billion people every month, the company said. 

15 YEARS OF GOOGLE MAPS 

A shot of Google Maps as it looked when it launched 15 years ago. Google says the service has since ‘redefined what it means to be a map’

– On February 8, 2005, Google Maps was first launched for desktop as a new solution to help people ‘get from point A to point B’.

– Just a few months later, Google Earth was launched, bringing 3D views of the planet. Today, Google Earth features more than 36 million square miles of high-definition satellite images. 

– In December 2005, Portland, Oregon became the first city to use Transit Trip Planner, helping commuters see public transit schedules and routes. It started as a standalone product but was eventually folded into Google Maps.

An early version of traffic conditions in Maps for desktop. Google Maps introduced real-time info on traffic conditions for more than 30 US cities two years after launching 

– About two years after launching Google Maps, the company introduced real-time info on traffic conditions for more than 30 US cities.

– On May 29, 2007, Google Street View debuted. Many of us will remember the seeing a Google car driving past capturing footage of the streets. 

– In November 2007 Maps went mobile. Google released version 2.0 of Google Maps for mobile, available for Blackberry, Palm devices and others. In 2008, its first Android app launched, followed by the iOS app in 2012. 

Google Trekkers could help fill the gaps in Google Maps by taking a 360 degree camera housed in a backpack on hiking trips

–  In 2012 it introduced the Street View Trekker, letting people capture hard-to-reach footage on foot, using high-tech equipment packed into a backpack. 

– In November 2015, Google launched offline maps, letting offline users still benefit from Google’s driving directions and search for specific destinations.

– In February 2019 came Live View, which uses augmented reality to help users understand which way to walk, with arrows and directions clearly overlaid. 

Augmented reality in Google Maps helps users get to their destination

The post Google Maps updates with a ‘more vibrant’ appearance appeared first on Shri Times News.

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[terabitweb]

Original Post from Talos Security Author:

Newsletter compiled by Jon Munshaw.

Welcome to this week’s Threat Source newsletter — the perfect place to get caught up on all things Talos from the past week.

An attacker known as “Tortoiseshell” is using a phony, malicious website to deliver malware. The site specifically targets U.S. military veterans who may be searching for a job. These types of sites are likely to be shared on social media as the general population hopes to support the veteran population.

Forget about the iPhone 11, impeachment or nation-state cyber attacks. We all know the biggest news of the past week was Area 51. And thankfully, the latest Beers with Talos talks about storming the secret military base. And some other, more cyber security-focused things.

We also have our weekly Threat Roundup, which you can find on the blog every Friday afternoon. There, we go over the most prominent threats we’ve seen (and blocked) over the past week.

Upcoming public engagements with Talos

Event: “DNS on Fire” at Virus Bulletin 2019 Location: Novotel London West hotel, London, U.K. Date: Oct. 2 – 4 Speaker: Warren Mercer and Paul Rascagneres Synopsis: In this talk, Paul and Warren will walk through two campaigns Talos discovered targeted DNS. The first actor developed a piece of malware, named “DNSpionage,” targeting several government agencies in the Middle East, as well as an airline. During the research process for DNSpionage, we also discovered an effort to redirect DNSs from the targets and discovered some registered SSL certificates for them. The talk will go through the two actors’ tactics, techniques and procedures and the makeup of their targets. Event: “It’s never DNS…It was DNS: How adversaries are abusing network blind spots” at SecTor Location: Metro Toronto Convention Center, Toronto, Canada Date: Oct. 7 – 10 Speaker: Edmund Brumaghin and Earl Carter Synopsis: While DNS is one of the most commonly used network protocols in most corporate networks, many organizations don’t give it the same level of scrutiny as other network protocols present in their environments. DNS has become increasingly attractive to both red teams and malicious attackers alike to easily subvert otherwise solid security architectures. This presentation will provide several technical breakdowns of real-world attacks that have been seen leveraging DNS for a variety of purposes such as DNSMessenger, DNSpionage, and more.

Cyber Security Week in Review

Apple released iOS 13 to all mobile users over the past week. There’s a series of new privacy and security features with the latest version of the operating system, though some of them are not working as expected. 

Dozens of YouTubers had their account credentials stolen and accounts taken over as part of a wave of attacks over the weekend. Attackers used malicious websites to trick the content creators into entering their login information. 

Microsoft released an out-of-band patch for Internet Explorer this week for a critical vulnerability. An attacker could exploit this bug to completely take over a user’s machine.  

The U.S. is reportedly looking into several options to carry out a cyber attack against Iran. The goal is to disrupt their military operations without escalating kinetic warfare. 

U.S. security firm CrowdStrike got wrapped up in the impeachment investigation into President Donald Trump. The company assisted the U.S. Democratic National Committee in researching cyber attacks during the 2016 presidential election, and Trump asked the Ukrainian national government to research CrowdStrike, thinking the company was located there. 

Security firm Symantec discovered 25 apps on the Google Play store spreading malware. Together, they had been downloaded about 2.1 million times. 

Amazon unveiled its idea for a new wireless protocol called “Sidewalk” that is designed to connect users’ Amazon-created IoT home devices. The company says Wi-Fi and Bluetooth do not extend far enough, and 5G is currently too expensive. 

The actors behind the Magecart malware are testing new code that could target public WiFi hotspots. Security researchers say Magecart Group 5 is preparing the code to be injected into benign JavaScript files. 

A new report from the U.S. Government Accountability Office says that the U.S. Department of Energy has not done enough to protect the American electrical grid from cyber attacks. The report states actors across the globe can force power outages via cyber attacks, though the breadth of those outages is currently unknown.  

Notable recent security issues

Title: New Emotet campaign emerges, but protection stays the same  Description: At the beginning of June 2019, Emotet’s operators decided to take an extended summer vacation. Even the command and control (C2) activities saw a major pause in activity. However, as summer draws to a close, Cisco Talos and other researchers started to see increased activity in Emotet’s C2 infrastructure. And as of Sept. 16, 2019, the Emotet botnet has fully reawakened, and has resumed spamming operations once again. The malware still mainly relies on socially engineered spam emails to spread. Once the attackers have swiped a victim’s email, Emotet constructs new attack messages in reply to some of that victim’s unread email messages, quoting the bodies of real messages in the threads. Snort SIDs: 47616, 47617, 48402, 49889, 43890 – 43892, 44559, 44560 Title: Aspose PDF API contains multiple remote code execution vulnerabilities Description: There are multiple remote code execution vulnerabilities in the Aspose.PDF API. Aspose provides a series of APIs for manipulating or converting a large family of document formats. These vulnerabilities exist in APIs that help process PDFs. An attacker could exploit these vulnerabilities by sending a specially crafted, malicious file to the target and trick them into opening it while using the corresponding API.  Snort SIDs: 50730, 50731, 50738, 50739

Most prevalent malware files this week

SHA 256: 7acf71afa895df5358b0ede2d71128634bfbbc0e2d9deccff5c5eaa25e6f5510  MD5: 4a50780ddb3db16ebab57b0ca42da0fb Typical Filename: xme64-2141.exe Claimed Product: N/A Detection Name: W32.7ACF71AFA8-95.SBX.TG SHA 256: 3f6e3d8741da950451668c8333a4958330e96245be1d592fcaa485f4ee4eadb3 MD5: 47b97de62ae8b2b927542aa5d7f3c858 Typical Filename: qmreportupload.exe Claimed Product: qmreportupload Detection Name: Win.Trojan.Generic::in10.talos SHA 256: 15716598f456637a3be3d6c5ac91266142266a9910f6f3f85cfd193ec1d6ed8b  MD5: 799b30f47060ca05d80ece53866e01cc Typical Filename: mf2016341595.exe Claimed Product: N/A Detection Name: W32.Generic:Gen.22fz.1201 SHA 256: c3e530cc005583b47322b6649ddc0dab1b64bcf22b124a492606763c52fb048f  MD5: e2ea315d9a83e7577053f52c974f6a5a Typical Filename: c3e530cc005583b47322b6649ddc0dab1b64bcf22b124a492606763c52fb048f.bin Claimed Product: N/A Detection Name: W32.AgentWDCR:Gen.21gn.1201

SHA 256: 46b241e3d33811f7364294ea99170b35462b4b5b85f71ac69d75daa487f7cf08 MD5: db69eaaea4d49703f161c81e6fdd036f Typical Filename: xme32-2141-gcc.exe  Claimed Product: N/A Detection Name: W32.46B241E3D3-95.SBX.TG 

6.2.5

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Go to Source Author: Threat Source newsletter (Sept. 26) Original Post from Talos Security Author: Newsletter compiled by Jon Munshaw. Welcome to this week’s Threat Source newsletter — the perfect place to get caught up on all things Talos from the past week.

[bmycsarah-blog]

Work Experience Day 4

04.07.19

Thursday 4th of July was the fourth day of my work experience. In the morning I had a talk with Cecil Campbell all about an introduction to design within Experian. 

He discussed with me all the details for next Tuesday where we will be filming and editing a small video about the ECS employees at Experian explaining and answering questions about marketing, which will be targeted at graduates and millennials. He told me that he wanted it to be styled similar to Vogue’s 73 questions with celebrities, which has this quite quick, energized and spontaneity about it and he wanted this to be reflected in a similar way within the video for Experian. In order to have this natural feeling to the answers and to not feel too scripted, the people taking part will not be told the questions in advance and therefore cannot prepare any structured answers. We will have a sheet prepared with all the questions we are going to ask and I need to ask them with lots of  energy in order to try and have the same energy reciprocated back to the camera. I’m will also be allowed to film the interviews if I would like which should be an exciting opportunity. He then showed me some of the editing software that I would be using to edit the video and it was certainly a step up from imovie and other ios  editing apps i had used before. However, much to my relief, I was reassured as he said he would teach me how to use it on Tuesday and that I had nothing to worry about which was good.

Then we traveled back to London Bridge to the Shard for a presentation by Jellyfish and Google called “A view on creative: inspired by data” in the afternoon. People from lots of different companies attended as well and we all gathered in a large room for the presentation.  There were many different talks that occurred from a variety of speakers but there were a few that stood out to me in particular.  

One of the talks that I enjoyed was called “what does success look like?” and it was presented by Abi Howson, the head of video at Jellyfish. First she showed us a short video about Jellyfish’s past success which was a nice appreciation of their achievements for everyone to acknowledge. She then went through the different stages of advertisement success. The first one is brand awareness aims. This is used mainly by top brands for example, coca cola. This is all about increasing their own brand awareness to consumers, extend their reach and be front of mind. The second one is consideration, which is mainly for brands or companies that are selling products in general and it’s all about people considering to by their products. The final stage is action and an example is Netflix which is when people are consciously enjoying the advert and then go to sign up or buy whatever it is that they are advertising. She also talked about the three divisions of a successful campaign which are; having a strong creative concept, the culture of learning and creative use of ad formats. I really enjoyed this talk because the discussion of successful advertisement, I felt like I could really relate to as I have experienced those different stages myself when watching ads before.

Another talk that I really enjoyed was called “Creativity for all” and was presented by Jordan Berkowitz who is the creative business partner for Google. The first thing he talked about was the three enemies to creativity. 

The first is experience. He explained how having experience can have a good thing but creatively it can hinder and hold back your abilities. This is because in life as you become more experienced you start to overthink things and our minds develop and change due to what we are taught and the people all around us to become less creative and more rational for more non creative jobs in the future. This is why children are so creative, it’s because their minds are not developed so they have no limits to their imagination or what they can or can’t do.

 The second enemy of creativity is time. He said that when we say “I don’t have time to do this” it’s not true. We all have time for things we just don’t manage it well. He spoke of a method that he found quite useful to force out that creativity whilst also conserving time called crazy 8′s. How this works is you fold a piece of paper in half, 3 times so that it creates 8 different squares on the page when you unfold it. You then have 8 minutes to create 8 possible new ideas for whatever product or concept you are brainstorming about, for example a new phone. I like this advice because it is a very good way for creative expansion. 

The final enemy to creativity is specialism. Specialists say that you are not special, no one is special but everyone can be far more capable than they realize. This is because everyone thinks that they aren’t capable of doing stuff that sounds out of their comfort zone or expertise. He demonstrated this by asking the audience “who thinks that they could be the new siri?” and almost no one put their hands up. He selected someone from the audience and stood back to back with them and they both read out a conversation from a script that could potentially happen between a person and a voice activated help device. It was simple and proved that anyone could do it and it’s just their minds holding them back and telling them that they aren’t capable but in reality, we all are.

Another presentation I also enjoyed was called “when data attacks” presented by Max Vinall, creative director at Jellyfish and Richard West, head of creative at Jellyfish. They said that creativity and data is all a combination of; words and pictures, human and technology, art and science and emotional and rational thinking. They talked about trusting your creative intuition despite what the data might tell you because from an emotional and creative perspective, data is not always right. They talked about the case study of Nike partnering up with Colin Kaepernick despite everything that happened with him in NFL. Instead, Nike trusted their own creative intuition and ended up creating a very successful advertising campaign and made a lot of profit from it. I found this presentation very interesting because it was all about trusting yourself and your gut feeling because often it can pay off for you in the future. 

[topicprinter]

Buckle up cause this is a long one. A lot of the stuff might sound a bit unbelievable, but it's all true. The original story has a tonne of pictures and videos, which might help explain. So perhaps, read over at https://thekanyestory.com and come back here for the discussion. Anyways Enjoy, I'll be around in the comments.IntroIt’s Friday night, 1 am. I’m lying in bed scrolling twitter. Reading the usual shit. Getting my dopamine fix. “The Backstreet boys are back with a brand new sound”. Yeah, whatever. I read another headline. Then another. “There’s a dating site for straight Trump supporters”. The mob’s getting angry. As you’d imagine the media are loving it. It’s the perfect fodder to pump to the masses.But forget Donald Trump. There something here. Free audience. Free attention. Embrace the controversy. Elon Musk sold flamethrowers and made a million. Supreme sold bricks and made a million. You’ve got to think like the little kid who hasn’t had his imagination beaten out of him. Companies splash thousands on “growth hacking” goon squads but having one mind like Bart Simpson on your team is more valuable.I jump out of bed and start writing down ideas. Dating is a good starting spot. It’s funny and simple. Now I just need something controversial. Brexit Dating, Harry Potter Dating, Kanye West Dating. Yes Kanye West, I’m a fan. I know the audience. How about — KanyeWestDating.com. Doesn't pop. Maybe Yeezy.Dating. Bingo! Add to Basket.ViralI wake up late the next morning and cook some eggs. I want to start building the dating site, but let’s be realistic. The chances are no-one will use it and I’ll end up spending 3 months locked in my bedroom, deprived of sunlight, going insane.So, instead, I open up Instagram, change my username from @harrydry to @yeezydating, delete my old posts and upload a picture with the caption “Yeezy.Dating — Coming this March”. Bamn. We’re cooking.Time to build my blogger hit list. I don’t really know what I’m doing so I start googling. 10 minutes later I come across this website called Buzzstream Discovery.Turns out I’ve hit the jackpot. Buzzstream is amazing. You enter a search term and it spits back the names of all the bloggers who have written stories about that search term. So I enter “Kanye West”, filter “within the last 30 days” and Buzzstream gives me a list of all 440 bloggers who have written stories about Kanye West over the last month. These bloggers are my perfect audience. It’s their job to pump out, simple, funny, digestible stories about Kanye West and I’m about to spoon feed them a classic.Getting the names is only half the battle though. I’ve also got to get email addresses. I find this website called Hunter.io where you type the name of any company and it tells you the correct email format which that company uses. Four hours later 220 emails are locked away in an excel doc.I type up the following message:Hey, I just made a dating site for Kanye fans called Yeezy.Dating. Going crazy on Reddit atm. Any questions please let me know :)wack on my headphones, and play through Kanye’s whole discography, whilst I send email after email after email after email after email. Go to sleep, wake up, and then I'm back commuting into London for a day's work.My phone rings during a meeting. I turn it to silent. It rings again. I turn it off. As soon as I get out of the meeting I check the database. 9,100 email address’. Surely this can't be real. I click refresh. Now 9,109. My mind freezes. I type Kanye's name into google and Yeezy Dating is everywhere. I check analytics. 250 people online. 65 unread emails. Then lunch break is over and I’m being called back in for another meeting.It’s 10pm when I arrive back from work. The press momentum is still rolling on. It feels good to know that my big plan worked. 25 news anchors coast to coast are discussing my imaginery dating site and I’m just in my bedroom, in my pyjamas with an old Macbook pro making the whole thing up as I go along. I start a big Yeezy Dating group chat, and invite everyone from my email list.7:40 am the next day and I get a text from my pal saying, “Tune into BBC Radio 1. They’re talking about Yeezy Dating right now and they want to speak to you”. Guess where I am? On a two hour train from Portsmouth to London for another day of meetings. I try and dial into Radio 1 but there’s no signal. I’m cooped up on this train carriage and I’m stressing out. The database has over 13,000 emails now. I’ve told the media the dating site is “Coming This March”, its now 17th March and I haven’t written a line of code. And to top it all off, I’ve got no idea how to make a dating site.I get back that evening, call my boss and tell him that I’m going to be out of action for a few months. He asks why. So I tell him I'll be making a dating site for Kanye West fans. He bursts out laughing, wishes me luck and that’s that. I'm a free man.ViralIt’s time to build a dating site. First things first I scout other dating sites looking for something I can copy. The whole Tinder / Bumble swiping thing is too complex. I find a Jewish Dating site called J Date which looks promising. All user profiles are displaying on one long infinite scroll page. A few months earlier I did Wes Bos’ “Learn Node” course where he does a similar thing with restaurants. I start merging J Date with some lessons from Wes’ course and I'm up and running.At this point, there isn’t much to tell you. There’s no secret ingredient. Just long days laying bricks. 10 months ago I hadn’t written a line of code before and it was too hard. One week into Yeezy Dating it’s still too hard. Webpack is a mess and I don’t know how to save geoJSON data. Boo-hoo. Nobody cares. I don't care. Figure it out. Everyone else figured it out.I write I AM HARRY DRY on a sheet of paper, buy some Blu Tack and pin it to my wall. Every time I get stuck I look up at the words and snarl. It’s Street Fighter II. I’m coding like Diego Costa plays football. No technique. No Barcelona academy. Rampaging from obstacle to obstacle.Problem after Problem. Forum after forum. I'm becoming the most hated man on Stack Overflow. And I'm loving every second of it.LaunchI wake up one fine spring morning and it’s all done. I’m a couple of weeks late, but that’s ok. I fix the final bug from the lab at 3 pm and post on Instagram to build some hype.Then I cycle to town and walk into Vodafone. I tell the store manager I’m “just browsing” whilst I test the site on all their different devices. iPhone’s are zooming in on my input fields and it’s looking wierd. Damn. I pitch up in Starbucks next door, grab a croissant, and start googling. Turns out my font size needs to be 16px on iOS to the stop auto zoom. I head back into Vodafone, “more browsing” I tell the store manager, and the problems solved. Happy Days.The Yeezy Dating group chat still has a buzz about it. Several hundred messages a day. They’re like my army of ultra fans. My plan is to launch with them first to test the site works. I’m back at home, dotting i's crossing t’s. Suddenly I have 10 mentions in Telegram. The ultras have found the site and have started making profiles.10 profiles are up. Now 20. Now 30. Shit. It’s happening. Beautiful profile photos appearing up on my screen. Real people are on the site. Real people are matching each other. Real people are messaging. It’s working. And I made all of this! Hahaha. Look at me go. I post on Instagram saying that Yeezy.Dating is open for business. Suddenly 200 people flood to the site.Now, legend says that the fisherman on shore only sees a tsunami a couple of seconds before it hits.Capow! Left, right, center, profile images start disappearing. 5 pictures vanishing every second. I refresh the page, images disappearing everywhere. Time slows down. I can’t think straight. 3 minutes later the site is stripped bare. 350 profiles. No images. I load up Heroku. 6,700 critical errors. Dad potters in from the kitchen to see how the big launch is going. Not great I tell him.I woke up Steve Jobs. I'm ending the day Steve Harvey. The site's properly crashed now. I’m trying to put out fires everywhere but nothing’s working. I can’t do this anymore. I apologise to my followers on Instagram, I apologise to the ultras on Telegram, and I fall into bed.RebornNext day I wake up and do nothing. Eat some cereal. Watch some Peep Show. I’m still at a low ebb. I manage to write a post on the Indie Hackers forum explaining the site crashing and what went wrong with the images.Quite remarkably developers start giving me their email address, offering me help. I’m blown away by their generosity. Within 24 hours there are five pro developers digging through my code. Several changes later they give it the all clear. “Good luck”, one texts me from Singapore.A few days later Yeezy.Dating launches again. The feeling is different this time. The first time it felt like the biggest thing in my universe. This time around I’ve got perspective. There a bigger things in life. If it crashes, it crashes.Testing with the ultras goes well so I start emailing my big list. 1,500 users join within 10 hours. 2,500 within 24 hours. Then 4,200. But growth is slowing. My intuition is telling me that the parties going to end soon. Where’s the next 4,000 coming from?There’s no marketing budget, no development team, it’s just me. Replying to all the emails, fixing all the bugs, trying to keep the momentum up and I’m tired. We need an app. I’m not an app developer. We need ten thousand users for dating to work. I don't know how to get ten thousand more users. The novelty is starting to wear off. I’m thinking 5 moves ahead and I can see cheque mate on the horizon.There’s only one way out the water tank. I've got to get Kanye West involved.BillboardsSo I’m back in the lab. Emailing away. Managers, ex-managers, stylists, PR relations, anyone who has ever worked for YEEZY on Linkedin. But nothing. No replies. I can’t get through.I ask my Dad for advice. “You’ve got to think on a bigger scale son”, he tells me. So now I’m thinking what if I make a video, or a mixtape, or a magazine or a painting, or I rent a plane and fly a banner. Then it hits me. I’m going to rent Billboards. YEEZY is opening offices in Calabasas, New York, London, Wyoming. Four locations. Four billboards.Ten minutes later I’m on the phone with Billboard companies. Quizzing them. What’s your pricing like? What type of Billboard would you recommend? How quickly can we do this? What’s the shortest time each Billboard can stay up for? And in my head, the billboards are already in the sky.But, the next day, I wake up with cold feet. Two halves of my mind in deep discussion:"Two months wages. On three billboards. You’re crazy." “Don’t use money as an excuse. You know that’s not the reason.” “Why don’t I want to do it then?” “Cause you’re scared. Your afraid of what people might think.” “But …” “No, don't give me no buts. Relax your mind. You're not going to let the mob control you. Let's do it.”So I draft my Dad onto the campaign team and it starts to come together. He’s in his element. We take over my brother's bedroom and set up basecamp. Dad buys three alarm clocks, sets one to New York time, one to LA time and one to Wyoming time. “You’ve got to know your timezone, son,” he tells me.The sun goes down once more and now it's the day of the Billboards. I'm working like an Octopus, organising photographers, drafting emails, teeing up interviews and everything starts coming together. London. New York. Wyoming. All confirmed. There’s less than an hour to go, and suddenly WACK. 8:11 pm an email drops into my inbox from Lamar, the Billboard provider, and my head spins like I’ve walked onto Tyson Fury's right hand. (The email essentially says, "we can't run the ads because of legal reasons of you using Kanye West's name") See the actual site for an actual photo)Lamar's supposed to be covering both New York and Wyoming. Without them, I’m left with just one Billboard in London and that’s not enough. I’m calling this whole thing off. The game’s up. It’s over. I’m safe again. Life’s comfortable. No billboards. No problems.I walk downstairs to show Dad the email. He looks up at me, smiles like it’s nothing, and says “Don’t worry. We’ll find a way”. And maybe that’s why you need a team because in that moment I wanted an excuse to give up but the old man wasn’t blinking so we fought on.Phone calls start flying everywhere. On one phone I’m hammering the account manager. On the other Dad’s posing as a BBC journalist, throwing jab after jab at their legal department, “The kid spent two days clearing this with intellectual property lawyers”, “We’ve got a camera crew waiting outside Times Square as we speak”.It’s 9 pm now. A wonderful soul called Candice is waiting in the New York rain eyes glued to the Billboard ready to take the photo, but she isn’t going to wait all day.Suddenly Dad’s beckoning me over. If we change, “Kanye West” for “Mr. West” the legal department will approve it. My gut tells me it’s good enough. I export the new text and send to the account manager in Times Square. 5 minutes later the Billboards are live. Candice takes the photo. It appears in my inbox. And I take a deep breath. [See https://thekanyestory.com for the photos and interviews]Soon after, the Wyoming and London Billboard’s go up. I start attaching the photos to the drafts we prepped, sending out our emails, hoping to get lucky again.A couple of stories start breaking, journalists start requesting interviews and back down into the depths of the Maelström we descend. The phone rings and rings and it could be anyone on the line. I’m wished luck, sold insurance, thrown onto live radio, taunted by youths, offered jobs, reunited with old school friends.I check twitter. Kanye's name is trending. My heart jumps. Surely not. Have I made it? I click. My heart sinks. “Kanye West has just said 400 years of slavery sounds like a choice”. And from there on in I’m dead in the water. A tadpole in a shark tank. The media is at Kanye saturation. Journalists have bigger fish to fry and my little story is left on the shelf.Ok, one last try. I track down Yeezy Headquarters on Google Maps, find the phone number of some offices nearby and start dialing. I start telling this receptionist about the dating site, about the Billboards, and I can’t believe it but she’s actually listening to me.“Funnily enough my best friend A***** works at Yeezy” “If I send you an email could you forward it on?” “Sure” And that's that. Now I can go to bed, wake up the next day and get on with my life.A few weeks pass and, lo and behold, an email from A****** drops into my inbox. [See "The Kanye Story" website for the actual email from Kanye's team. It basically says they love the idea and the CFO of YEEZY wants to talk with me] And a few hours I get sent a screenshot from Kanye's office chat.[Again, see website. This is basically Kanye's office people talking about site and saying, "direct email Kendall, bcc Chris Jenner. Tell Kanye."]I can't help but smile. After all my efforts emailing journalists, practicing for radio interviews, writing press releases, retouching images, all it took was a simple phone call to the company whose office was next door.YEEZYAnd that’s how we got to now. It’s 9:52 pm, Thursday 24th May. In ten minutes time, I’ll be on the phone with the CFO of Kanye West’s Billion Dollar company.I remember sitting round with my uni housemates last year talking about what the future would hold for all of us. They were all saying, “I’m applying for a finance job” or “I’ll do a masters ”, stuff like that. And it came to me and I said, “I’m going travel to Nazareth, learn to code, come back to England, finish my book, learn about business and start my own stuff.”They were used to my spiel now and started groaning, “None of this shit's going to happen Dry. The real world’s going to chop you up and spit you out. You're going to be stuck in the rat race, clocking in, clocking off, packed onto the tube, just like all of us.”I smiled. “Tell me that again”. So they did. “Reality is going to grind you down. You’re going to be clock watching, Monday to Friday. There’s nothing you can do about it. And you know it.”“Tell me that that one more time”, I said. So they did. And I smiled even more.I’m not saying I’ve done anything yet cause I haven’t. But at least I've stuck to my word. I've tried and given it a go.So there we go. Thanks for reading and making it all the way to the bottom. I'm @harrydry on Twitter. I also write an email newsletter about startups, marketing and breaking free which you can find over on the main website. Thanks again and peace out!

[coldwarchristmas]

This is the distinction inside five star hotels.

I arrived at the Dubai International Airport on the 17th of March. The Atlantis gives helicopter rides for the Dubai city tour. This gigantic project was modelled just after the Atlantis Paradise Island in Nassau, in the Bahamas, also owned by Sol Kerzner, a South African businessman with a penchant for big projects like the Sun City Resort in his native country, typically referred to as the Las Vegas of Africa.

A two star hotel is not designed for the total expertise.

Lately Dubai has gone up close to the best of the list of most preferred destinations for tourists in the planet. Right after days out exploring the wonders of Dubai city, unwind at the Conrad Spa. Why is the room price of agoda diverse from the main website of the hotel? Sofitel Dubai The Palm Resort & Spa promises a luxury beach location like no other. The initially spot in our leading of the most unusual hotels of the globe is for an exclusive oasis, which is located in the desert near Dubai. Suite and Imperial Club guests obtain absolutely free every day Atlantis Youngsters Club access between 10am and 1.30pm, with further possibilities for exciting and games in between 2pm & 5pm. Booking a rental vehicle anywhere in the globe could not be simpler with Travelocity. He very first went to Dubai three years later and devoted nearly 30 years of his qualified life to the city. Habtoor comprises the finest accommodation the city of Dubai has to offer you. Dubai property has improved significantly and the 7-star hotel has a benchmark for all other hotels are attempting to reach set. It is no wonder that jobs at hotels in Dubai represent a large share of the worldwide hotel sector. I understand that numerous of the hotels are smaller and their terms might not be as versatile as a substantial chain hotel, but paying in full in advance for a typical price seems excessive to me. We at supply very trusted services for hotel booking for India. Located at the finish of the Dubai Marina, it is well placed for receiving out to explore the continuously developing city. Delight in unparalleled luxury in the Signature Royal Bridge Suite at Atlantis with the added advantage of Imperial Club rewards. I spend a lot of time walking past the sublime undersea vistas, largely on the way to some of the 23 Atlantis restaurants.

Dubai is famous for its very first-class hotels.

Dubai's Palm Island trilogy have develop into icons of the Emirate and handful of could deny that they are actually impressive examples of man's ability to produce not just huge feats of engineering, but also structures that can rival these produced by Mother Nature, when it comes to beauty and scale. 'The Palm' is what Atlantis sits on, a $US12-billion palm-shaped island reclaimed from the Persian Gulf. Burj Al Arab is not the only unofficial 7-star hotel. Cape Sounio is a stunning Grecian paradise by the beach supplying the best escape for households who want wonderful surroundings as well as five-star service. Utilizing a higher-speed, proprietary algorithm, our service compares all combinations of stays across two hotels, getting the most cost-successful way to split a hotel keep, with out compromising on top quality or comfort. That translates into a lot more bookings for your hotel web page. With wonderful deals all year round on Dubai hotels and flights, all you need to be concerned about is packing your bags prepared for the trip of a lifetime. He mentioned: ‘There is one particular guest I took care of who ordered a Rolex watch in one particular of our shops at Atlantis, The Palm but by the time the watch was delivered the guest had already checked out. When these beaches are a good place to relax, there are various adventure activities that you can try your hand at. From snorkelling to scuba diving to parasailing, you can have a terrific time on the beaches of Dubai. Some of the best-rated apps on the App Retailer belong to the travel sector and as technologies advances, the innovation and trouble-solving abilities of these apps continues to surprise us. The iOS platform remains one of the most popular markets for constructing and promoting travel apps. five-star hotels in Dubai offer you the ideal of every thing and set the stage for unforgettable memories. Each and every apartment also attributes at least 1 private balcony with beautiful views more than the marina, Palm Island or the city. In addition, there are many public beaches, such as Al Mamzar Beach Park, Jumeirah Beach Park, Umm Suqeim Beach and Open Beach, with huge green regions, gardens, as well as playgrounds and barbecues to love a wonderful day on the beach. Through this acquisition, Yatra expanded its hotel business enterprise, establishing extra direct hotel relationships in India, and also improved its inventory of very affordable travel selections. Atlantis, The Palm offers other-worldly luxury, combining best drawer skyline views with a under no circumstances-ending list of facilities, like absolutely free access to an underwater aquarium and a waterpark.

I stayed for a night in Novotel Hotel in Dubai.

It is mentioned that one particular can encounter accurate luxury only in Dubai hotels. Even if you're not travelling also far from household, you can rely on to enable you uncover Australia hotel deals for your trip. For those who like the most effective of the beach and the city, Jumeirah Al Naseem is it. Occupying a prized place between the existing Mina A'Salam hotel and the iconic Burj Al Arab, it connects to the wider Madinat Jumeirah resort region, enabling guests to use a vast array of facilities. فنادق دبيBook now and get ten% off the most effective obtainable prices along with other unrivalled hotel solutions and benefits. This hotel is a beachcomber resort on the North- west coast, stretching across sandy white beaches. The hotel has a playground and sauna, and guests can enjoy a drink at the bar. Oasis in the heart of Dubai: A haven of calm nestled in the heart of the city, ten minutes away from Dubai International Airport, Gold Souk, Dubai Museum and Burj Khalifa. A lot of individuals travel to Dubai on holiday and for enterprise and it is worth checking prior to you go, if you have not been there before, what the details are about what you can and can not do. These special Expedia offers offer you the least expensive hotel rooms out there anywhere and they sell out rapid, so check the web page regularly you never want to miss out on our excellent presents. The most option hotels in the globe, underwater hotels offering a variety of unimaginable underwater sea views, swimming with sharks while you sleep. Burj Al Arab - isn't that the world's only seven-star hotel? Earlier, if we wanted to pay a visit to some spot inside our own nation or some foreign nation, we required to do lot of research for a lengthy time, may possibly be for days to know which roads to take, where to stay and so forth. Thankfully, I came across with some prominent on-line hotel booking websites which use to give discounted packages and bargains even in luxury five star hotels. My companion and I stayed the Ramada Chelsea for 7 nights, from the moment our Taxi pulled up outside the hotel, the outstanding service began, and did not stop all through my keep there. Its rooms have modern day amenities, advertising a relaxing, enjoyable and memorable keep in this hotel. For Mission: Impossible - Ghost Protocol, Tom Cruise famously swung by a rope from the best of Dubai's most iconic structure, the Burj Khalifa, whose two,700 feet of shimmering glass also were seen skewering London throughout the opening of Independence Day: Resurgence. Some hotels give concierge services that assist the guest in gaining access to any exclusive restaurant, concert, or Broadway show, although organizing for them and even help them in the execution of any occasion. Atlantis, The Palm has been sold by a subsidiary of the state-owned developer Dubai Globe to a sovereign wealth fund. Obtain the perfect hotel on and book your area online at the ideal price! Positioned in the heart of Dubai and overlooking the Dubai Creek, Jumeirah Creekside Hotel in Dubai is conveniently situated for access to Dubai International Airport and within minutes away from some of Dubai 's most significant landmarks and shopping centres. The hotel is centrally situated on Burj Khalifa Street, and is one particular of Dubai's most coveted addresses. hotel booking sites trivago, hotel atlantis the palm dubai trivago, hotel rooms in goa india, dubai seven star hotel burj al arab, hotel dubai marina view

[contadorharrison]

African mobile app job market

Africa’s tech jobs market is booming, with the rate of growth for tech jobs outpacing other industries according to a new report. The report measured the creation of core app economy jobs, defined as jobs that directly to develop, maintain, or support mobile applications. In addition, the statistics also measured indirect jobs that support app developers in fields such as human resources or management. When these two categories of jobs are combined in ten African countries namely South Africa, Morocco, Egypt, Algeria, Tunisia, Nigeria, Ghana, Kenya, Mauritius and Ethiopia, the report found the mobile app sector employs 50,000 staff on average in those countries. The highest number of jobs was in South Africa, followed by Nigeria, Egypt and Morocco.This growth rate has meant the overall number of people employed in computer related jobs in Africa has surged by 56% since Android smartphones were first introduced in 2008. This is a significantly faster growth rate than even in developed world which averages 20%.The development of mobile apps now directly or indirectly accounts for nearly 10% of all ICT jobs in Africa. However, it is a rate higher than either Europe or North America. Likewise, while the number of mobile app development jobs as a percentage of all ICT jobs in Cape Town is 9% and Cairo 7%, both are not as high as it is in Silicon Valley at 18% but are on the same range with New York which averages 10% and London at 9.5%.One of the report authors told your blogger that Africa’s app development is well positioned for future growth.The major take-away is that Africa has a good start on the digital economy, especially when viewed from the perspective of mobile apps. As this sector continues to expand, this opens up new opportunities for African businesses to become an exporter of apps and app-related services, especially given the current international importance of English-language markets which gives countries like Kenya, Nigeria and South Africa a bigger advantage over their North and West African counterparts.However, the author warns there are also important lessons in the figures for African countries government policymakers.In his own words, it is important for policymakers to strike the right balance between essential and excessive regulation, especially in areas such as data privacy.However, a general principle is that the tighter the regulations, the more obstacles in the path of the growth of the rapidly innovating app economy.The same report notes app related recruitment market is set to see a severe shortage of software development talent as nearly all industries speed up their efforts in launching mobile applications to serve their clients. This is one key finding from the report which also analyses trends of the job market in the continent.

Candidates skillful in iOS and Android development are a rare asset in Africa and the strong demand for experienced professionals won’t be met in the near future.Companies are aware of the rising popularity of mobile applications and have started to explore mobile technologies, driving demand for developers in the candidate-short market. This trend will continue for a certain period of time if the data contained in the report is accurate. Findings also state that qualified mobile developers in Nigeria, South Africa and Kenya prefer to work as freelancers such that they can rake in more income by taking several projects at the same time. Information technology professionals are highly sought after due to the fast expansion of IT industry in Africa. There is an increasing demand for IT security professionals and those who are quicker to learn new technologies always stand out because mobile apps business is thriving in African market. There’s no doubt accessing mobile applications is becoming increasingly popular for Africans, with 100 million people aged 18 years and over going online via their mobile in 2016 alone. The report also reveals that in June 2017, 37 per cent of mobile phone users had a smartphone and 52 per cent had a 3G phone. And of the smartphone users, 87 per cent downloaded a mobile app in the six months to June 2017. The report analyses four mobile applications services mobile handset VoIP, m-commerce, mobile video and mobile social networking and their potential impact in terms of substitution-mobile apps can potentially substitute for some services provided by mobile service providers. Mobile apps are disrupting industry structures and processes in many sectors beyond communications for example, m-commerce in East African region. Expansion mobile apps are allowing online services, previously restricted to computer access, to move onto the mobile platform. Multiple screens-mobile apps that incorporate video are an example of mobiles becoming the third screen complementing television and computer. According to the report, the number of Africans using the internet through their mobile phone for specific tasks during June 2017 included accessing social networking sites, banking and bill payment, streamed video or movies, streamed audio content and purchasing a good or service.Continued consumer adoption of smartphones and growth in the usage of internet via mobile phones, are encouraging further development and use of mobile apps in Africa hence the reason for companies looking for high-skilled developers who are in short supply with competition for qualified talent becoming cut-throat.

[mobileappdevelopmentuk-blog]

Eastpoint Software iOS App Development UK to Serve Different Business Needs

The iOS Mobile App Development UK is quite popular application development landscape among mobile apps. The fundamentals of iOS application development generally covers the Swift programming language together with other development tools like XCode, JSON, iOS simulators, iOS virtual machine, design interaction and interfaces and interactions and you can easily evaluate their integration and usability in different purposes, such as location information, camera apps, etc. to enhance your business growth.For iOS app development Mac computer is usually ideal.

Advantages of iOS Apps

Often, business owners choose this iOS Apps Development platform in order to enhance their business development. Even various businessmen also think in a better way to fulfill their needs by expanding the functions of different iOS apps in their business.These businessmen always want these apps to be developed in a customized way so that these apps can work best for them. Other benefits of using iOS apps in business development include the following.

As the average cost of iOS apps is very much less than that of Android apps, therefore, it aids as the best payment option for paying more customers using these apps. iOS apps are also very secure for its users in terms of doing any online deals.

iOS usually provide a good customer experience mainly because of its perfect hardware system , flawless software, and of course excellent customer support. Each of the iOS apps works smoothly over the iPhone and this is quite important for a business purpose.

iOS operating system has been developed by Apple Inc. that always provides an excellent interface for every user and this has made every iOS apps quite popular among them.

Even, each of the iOS apps,especially for a business, is designed in an innovative way to represent as well as enhance any company’s brand all across the world in different developed countries.

As more people patronizing the usage of iOS apps over iPhone, therefore, the demand for these applications is also increasing. iOS being an operating system only for iPhone, developing iOS apps has become a new market trend in present days and for that different

iOS Mobile App Development Cambridge, London, Richmond and UK companies are emerging up a huge number. There are different iOS app developmental companies that possess an efficient team of designers, developers, analysts, project managers, etc. who works hard in collaboration develops different types of apps as per various business alignments. These companies even develop huge numbers of iOS apps to increase the revenues of their clients in business.

About us:

We are Eastpoint Software iOS Mobile App Development Cambridge, Twickenham, London, Richmond, UK,  West London, Surrey, Chelmsford and Colchester. iOS App Development is not that tricky as it appears, you just need to pick the right service provider that has enough experience of making apps belonging to various categories. We want to build more apps to add to our portfolio, so we want to work with you. Contact us on 01223 690164 and let us know what you are after. We can go from there and provide a no obligation estimate. In this modern world of evolving technology, a business app is very much essential for a growing company. Both for professional or personal use, smartphones are highly used devices on the basis of two major platforms like iOS and Android.

Visit us:

http://www.eastpoint.co.uk/Mobile-Apps/iOS-mobile-app-development/

[vernicle]

Scenes from London highrise fire

A hearth sweeping via a highrise apartment developing in west London, England, early Wednesday has still left at minimum 12 individuals lifeless, and extra than fifty have been taken to spot hospitals

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How to get started with 360-degree content for VR

Once a time and resource-heavy exercise, creating and embedding 360 degree imagery has become much cheaper and easier over the past couple of years.

The advent of mobile apps that can take 360-degree photographs, or ‘photo spheres’, has made creating 360-degree images accessible to those without specialized equipment.

At the same time, it has become easier to embed and share photospheres directly within webpages, and the virtual reality headsets which allow users to experience them are increasingly widespread and affordable.

Even without a virtual reality headset, users can still enjoy 360-degree imagery using their web or mobile browser, giving them the opportunity to experience a location or a visual idea in an immersive and memorable way.

So why should marketers be creating 360-degree content, and how can you get started with your own?

Why create 360-degree content?

In spite of the fact that 360-degree imagery is becoming easier to create, it’s still relatively rare, which makes it an effective way to stand out if you can do it well.

A 360-degree image is unusual, interactive, and offers a level of detail that even the most well-framed photograph can’t capture. Industries like travel, hotel, real estate or design lend themselves particularly well to 360-degree content, but it can work in any type of marketing if you’re prepared to get creative.

For instance, NASA – which is known for its inventive social media and content marketing – used 360-degree imagery on Facebook to allow users to ‘float around’ inside the Tranquility Module on the International Space Station.

Explore the Tranquility Module on the International Space Station in this 360° experience! (For best results, use a mobile device to float around)

Posted by NASA – National Aeronautics and Space Administration on Thursday, 9 June 2016

And Salesforce used it to show off an impressive 360-degree view of their lobby, complete with a massive projector wall for the big game:

We’re ready for Game 4! Are you? Check out a 360 view of our Salesforce West lobby at HQ!

Posted by Salesforce on Friday, 10 June 2016

Once you’ve got your creative idea and set out to create some 360-degree content, how do you go about it? Let’s take a look at some tools you can use.

How to create 360-degree imagery

Cardboard Camera

If you’ve got a smartphone and want to use it to create some VR content, one of the best options is Google’s Cardboard Camera – especially if you want to later use Google’s VR View to embed your image (more on that later).

Cardboard Camera is a free app specifically designed for the purpose of creating 360-degree images to be viewed in VR, and it’s available on both Android and iOS. Cardboard Camera images also come with an extra dimension – sound – to add to the experience, though you can disable this while recording if you want to.

To export your image afterwards, select any of the sharing options within Cardboard Camera (which you can bring up by tapping the Share  button), which will create a link that allows you to access the image on any device.

Native mobile camera apps

A number of mobile devices now come with pre-installed camera apps that have native 360-degree photo capabilities. Note that this isn’t quite the same as the ‘panorama’ feature on your smartphone camera, as panoramas are only 180 degrees; but they work for many of the same purposes, and can be embedded on Facebook in the same way as 360-degree images.

Google originally introduced photo sphere functionality with the Nexus 4, and the functionality remained for subsequent Nexus models. LG then built on this with its VR Panorama app, and Samsung made a photo sphere mode available for individual download on the Galaxy S5 and upwards.

Google also released a standalone camera app for Android, Google Camera, which has panorama and photo sphere capabilities. But if you’re not an Android user, don’t despair: Google released a Photo Sphere app for iOS as well in 2014.

There are a few other free to download apps which claim to offer 360-degree capabilities, but it’s worth reading the reviews first, as a number of them don’t work as advertised or don’t support all device types.

360-degree cameras

If you have a bit more to spend and want to really invest in 360-degree photography, you can of course buy a dedicated 360-degree camera rig. There is a huge range of these available at different price levels, so it’s worth doing your research to find the right device for your budget and needs.

Embedding and sharing VR content

So, you’ve had your idea; you’ve crafted your fantastically immersive 360-degree content. How do you go about embedding or sharing it online?

Embedding into a webpage or mobile app

Until recently, there wasn’t a single dedicated tool for embedding 360-degree imagery into webpages or mobile apps, and some creative coding was required in order to do so. That is, until Google VR View came along in May 2016.

Google’s VR View was created to “address a common developer concern: the limited availability of VR hardware among the general public.” There was definitely a gap in the market for this kind of tool, and by creating it Google has been able to gain a pretty nice monopoly over embedding 360-degree imagery in webpages. And of course in true stereoscopic VR mode, it’s designed to be compatible with Google Cardboard headsets.

A stereoscopic 360 degree image – for a truly immersive VR experience – consists of two images stacked on top of one another. Image: Google VR View

Google has a few different tutorials you can follow depending on whether you want to embed your photosphere into a website, Android app or iOS app. Choose from the links below to access the tutorial of your choice:

Web

Android

iOS

Embedding into WordPress

If you have a website that runs on WordPress, the WP-VR-view plugin for WordPress is the most straightforward and easy way to embed 360-degree images on your site. Just install the plugin, grab the link to your photosphere and follow the instructions in this video demo to embed.

And just to prove it works, below is an image I shot on my smartphone using Cardboard Camera on the banks of not-so-sunny Hammersmith, London, and embedded with the WP-VR-view plugin. (It looks best in full screen mode!)

Sharing 360 degree content via Facebook

As we saw at the beginning of the post, it’s also possible to share your 360-degree content on Facebook as an interactive image post.

All you need to do is upload your 360-degree image or panorama to your Page or profile as you would a regular image, and Facebook will automatically recognize that the post contains a 360-degree image.

  Then all that’s left to do is write your post, and publish!

  We’ve been experimenting with some 360° imagery over at Search Engine Watch – stay tuned for our guide on how to get…

Posted by Search Engine Watch on Monday, 27 February 2017

Stay tuned for our Part 2, where we’re going to look at how you can optimize your 360-degree content for SEO.

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